tomaszke

“An artist must regulate his life.

Here is a time-table of my daily acts. I rise at 7.18; am inspired from 10.23 to 11.47. I lunch at 12.11 and leave the table at 12.14. A healthy ride on horse-back round my domain follows from 1.19 pm to 2.53 pm. Another bout of inspiration from 3.12 to 4.7 pm. From 5 to 6.47 pm various occupations (fencing, reflection, immobility, visits, contemplation, dexterity, natation, etc.)

Dinner is served at 7.16 and finished at 7.20 pm. From 8.9 to 9.59 pm symphonic readings (out loud). I go to bed regularly at 10.37 pm. Once a week (on Tuesdays) I awake with a start at 3.14 am.

My only nourishment consists of food that is white: eggs, sugar, shredded bones, the fat of dead animals, veal, salt, coco-nuts, chicken cooked in white water, mouldy fruit, rice, turnips, sausages in camphor, pastry, cheese (white varieties), cotton salad, and certain kinds of fish (without their skin). I boil my wine and drink it cold mixed with the juice of the Fuschia. I have a good appetite but never talk when eating for fear of strangling myself.

I breathe carefully (a little at a time) and dance very rarely. When walking I hold my ribs and look steadily behind me.

My expression is very serious; when I laugh it is unintentional, and I always apologise very politely.

I sleep with only one eye closed, very profoundly. My bed is round with a hole in it for my head to go through. Every hour a servant takes my temperature and gives me another.”
― Erik Satie

“Three centuries ago Jonathan Swift wrote, “Falsehood flies, and truth comes limping after it.”21 How prophetic this turned out to be. A recent analysis by MIT shows that on Twitter lies spread on average six times faster than truth, and that truth never reaches the same level of penetration.22 Social media is an engine for the production and dissemination of lies.”
― Christiana Figueres, The Future We Choose: Surviving the Climate Crisis

“Sounds beyond the limits of the ear may be gathered by other sensory systems of the body.”
― Pauline Oliveros, Deep Listening: A Composer's Sound Practice

“Even though my works are overloaded with symbols, they actually have nothing to do with symbols. Even blood is what it is: it is blood and not a symbol at all, and in its reality it is almost above the symbol.”
― Hermann Nitsch