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Theodor
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“Once I had started my solitude I realised anew that it was easy for me to become accustomed to this state and that the most effortless existence for me was in fact one in which I was not obliged to speak to anyone. My fretful attitude to life left me. Each dead day had its charm”
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“Suddenly I heard Virginia’s voice calling to me from the sitting room window: “Hitler is making a speech.” I shouted back, “I shan’t come. I’m planting iris and they will be flowering long after he is dead.”
― Downhill All The Way: An Autobiography Of The Years 1919 To 1939
― Downhill All The Way: An Autobiography Of The Years 1919 To 1939
“Today there is a strong smell of blood in the air. Literary anti-Semitism forges the moral weapon for murder. Sturdy and honest lads will take care of the rest.”
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“Love Letter"
Not easy to state the change you made.
If I'm alive now, then I was dead,
Though, like a stone, unbothered by it,
Staying put according to habit.
You didn't just tow me an inch, no-
Nor leave me to set my small bald eye
Skyward again, without hope, of course,
Of apprehending blueness, or stars.
That wasn't it. I slept, say: a snake
Masked among black rocks as a black rock
In the white hiatus of winter-
Like my neighbors, taking no pleasure
In the million perfectly-chisled
Cheeks alighting each moment to melt
My cheeks of basalt. They turned to tears,
Angels weeping over dull natures,
But didn't convince me. Those tears froze.
Each dead head had a visor of ice.
And I slept on like a bent finger.
The first thing I was was sheer air
And the locked drops rising in dew
Limpid as spirits. Many stones lay
Dense and expressionless round about.
I didn't know what to make of it.
I shone, mice-scaled, and unfolded
To pour myself out like a fluid
Among bird feet and the stems of plants.
I wasn't fooled. I knew you at once.
Tree and stone glittered, without shadows.
My finger-length grew lucent as glass.
I started to bud like a March twig:
An arm and a leg, and arm, a leg.
From stone to cloud, so I ascended.
Now I resemble a sort of god
Floating through the air in my soul-shift
Pure as a pane of ice. It's a gift.”
― Crossing the Water: Sylvia Plath's Triumphant Poetry Collection Exploring Tensions Between Desire and Duty
Not easy to state the change you made.
If I'm alive now, then I was dead,
Though, like a stone, unbothered by it,
Staying put according to habit.
You didn't just tow me an inch, no-
Nor leave me to set my small bald eye
Skyward again, without hope, of course,
Of apprehending blueness, or stars.
That wasn't it. I slept, say: a snake
Masked among black rocks as a black rock
In the white hiatus of winter-
Like my neighbors, taking no pleasure
In the million perfectly-chisled
Cheeks alighting each moment to melt
My cheeks of basalt. They turned to tears,
Angels weeping over dull natures,
But didn't convince me. Those tears froze.
Each dead head had a visor of ice.
And I slept on like a bent finger.
The first thing I was was sheer air
And the locked drops rising in dew
Limpid as spirits. Many stones lay
Dense and expressionless round about.
I didn't know what to make of it.
I shone, mice-scaled, and unfolded
To pour myself out like a fluid
Among bird feet and the stems of plants.
I wasn't fooled. I knew you at once.
Tree and stone glittered, without shadows.
My finger-length grew lucent as glass.
I started to bud like a March twig:
An arm and a leg, and arm, a leg.
From stone to cloud, so I ascended.
Now I resemble a sort of god
Floating through the air in my soul-shift
Pure as a pane of ice. It's a gift.”
― Crossing the Water: Sylvia Plath's Triumphant Poetry Collection Exploring Tensions Between Desire and Duty
“Intellectual anti-Semitism was the special prerogative of Houston Stewart Chamberlain, who, in The Foundations of the Nineteenth Century, concretised the fantasies of Count Arthur de Gobineau, which had penetrated to Bayreuth. He translated them from the language of harmless snobbery into that of a modernized, seductive mysticism... Contemporary anti-Semitic literature, insofar as it is not simple, crude Jew-baiting, in so far as it claims intellectual consideration, is satisfied to postulate an imposing Teutonism which, examined critically dissolves into thin air like a beautiful Epicurean god. The word blood plays a large part in its phraseology. Blood, the immutable substance, determines the fate of nations and men. Because of the secret laws of blood, Germans and Jews will never be able to mix, must be mutually antagonistic until doomsday. This is romantic, but hardly deep. No real science of nationalities can be based on such flimsy premises. For German and Jewish are not fixed categories established once and for all in some mystic prehistoric age, but rather flexible concepts which change their content with spiritual and economic changes dependent on the general dynamics of history.”
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Theodor’s 2025 Year in Books
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