Cindy K

“But when a plethora of stimuli begins to divert us from receptive consciousness, the city renders us insensible. Then, in our inability to order experience, we merely suffer the city and long for some adequate means to comprehend it as a product of human creation--a product of intelligent, ordering forces. Just as the scientist is frustrated when the order or pattern of phenomena is too fleeting to observe or too complex to recognize with existing tools, so is the city-dweller frustrated when human order cannot be found in the environment. At such moments, when one sees only the results of mechanical and economic processes controlling the form and feeling of the place, one feels estranged and excluded.”
― Fumihiko Maki, Nurturing Dreams: Collected Essays on Architecture and the City

“Fabric" and "fabricate "share a common Latin root: fabrica "something skillfully produced". Text and textile are similarly related, from the verb texere, "to weave", which in turn derives...from the Indo-European word *teḱs̱  , meaning "to weave".  "Order" comes from the Latin word for setting the warp threads, [ordinare], as does the French word for computer, ordinateur. The French word metier, meaning "trade" or "craft" is also the word for "loom".  

Such associations aren't uniquely European.  In the K'iche' Mayan language, the terms for weaving designs and writing hieroglyphics both use the root tz'ibia.  The Sanskrit word sutra, which now refers to a literary aphorism or religious scripture, originally denoted "string" or "thread". The word tantra which refers to a Hindu or Buddhist religious text, is from the Sanskrit tantrum, meaning "warp" or "loom".  The Chinese word Zǔzhī” 组织 meaning "organization" or "arrange" is also the word for "weave", while Chéngjiù 成就 meaning "achievement" or "result" originally meant "twisting fibers together".  ”
― Virginia Postrel, The Fabric of Civilization: How Textiles Made the World

“To give you a sense of the sheer volume of unprocessed information that comes up the spinal cord into the thalamus, let’s consider just one aspect: vision, since many of our memories are encoded this way. There are roughly 130 million cells in the eye’s retina, called cones and rods; they process and record 100 million bits of information from the landscape at any time. This vast amount of data is then collected and sent down the optic nerve, which transports 9 million bits of information per second, and on to the thalamus. From there, the information reaches the occipital lobe, at the very back of the brain. This visual cortex, in turn, begins the arduous process of analyzing this mountain of data. The visual cortex consists of several patches at the back of the brain, each of which is designed for a specific task. They are labeled V1 to V8. Remarkably, the area called V1 is like a screen; it actually creates a pattern on the back of your brain very similar in shape and form to the original image. This image bears a striking resemblance to the original, except that the very center of your eye, the fovea, occupies a much larger area in V1 (since the fovea has the highest concentration of neurons). The image cast on V1 is therefore not a perfect replica of the landscape but is distorted, with the central region of the image taking up most of the space. Besides V1, other areas of the occipital lobe process different aspects of the image, including: •  Stereo vision. These neurons compare the images coming in from each eye. This is done in area V2. •  Distance. These neurons calculate the distance to an object, using shadows and other information from both eyes. This is done in area V3. •  Colors are processed in area V4. •  Motion. Different circuits can pick out different classes of motion, including straight-line, spiral, and expanding motion. This is done in area V5. More than thirty different neural circuits involved with vision have been identified, but there are probably many more. From the occipital lobe, the information is sent to the prefrontal cortex, where you finally “see” the image and form your short-term memory. The information is then sent to the hippocampus, which processes it and stores it for up to twenty-four hours. The memory is then chopped up and scattered among the various cortices. The point here is that vision, which we think happens effortlessly, requires billions of neurons firing in sequence, transmitting millions of bits of information per second. And remember that we have signals from five sense organs, plus emotions associated with each image. All this information is processed by the hippocampus to create a simple memory of an image. At present, no machine can match the sophistication of this process, so replicating it presents an enormous challenge for scientists who want to create an artificial hippocampus for the human brain.”
― Michio Kaku, The Future of the Mind: The Scientific Quest to Understand, Enhance, and Empower the Mind

“Consider how you can use visual pattern to define a space for its purpose and activity...

- In the bathroom, you might want to use rippled or soft undulating patterns to remind yourself of the calmness of water, think water surface, sand, or shell patterns.
- In the living room, leafy patterns and forest-inspired shapes and patterns can be relaxing and restorative.
- Retreats or quiet spaces such as bedrooms or home offices might benefit from images of sheltered or secluded natural spaces, for example cave-like patterns.
- By contrast, lively spaces may suit patterns of more dynamic natural systems, such as waterfalls and rivers.

Remember that there is a balance to strive for here. Subtlety is key, so the patterns don't dominate the space and overwhelm you. Also keep in mind that there are no straight lines in nature, so hard edges can appear harsh.”
― Oliver Heath, Design A Healthy Home: 100 ways to transform your space for physical and mental wellbeing