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Muriel Barbery
“When of a sudden Old Japan intervenes: from on of the apartments wafts a melody, clearly, joyfully distinct. Someone is playing a classical piece on the piano. Ah, sweet, impromptu moment, lifting the veil of melancholy... In a split second of eternity, everything is changed, transfigured. A few bars of music, rising from an unfamiliar piece, a touch of perfection in the flow of human dealings-- I lean my head slowly to one side, reflect on the camellia on the moss of the temple, reflect on a cup of tea, while outside the wind is rustling the foliage, the forward rush of life is crystallized in a brilliant jewel of a moment that knows neither projects nor future, human destiny is rescued from the pale succession of days, glows with light at last and, surpassing time, warms my tranquil heart.”
Muriel Barbery, The Elegance of the Hedgehog

“But what actually is Monteverdi's L'Orfeo?.... Perhaps it forms a perfect microcosm of what it means to exist at all: an emptiness that can nevertheless contain so much beauty, profundity, insight, and possibility”
Yuval Sharon, A New Philosophy of Opera

“When Manuela arrives, my loge is transformed into a palace, and a picnic between two pariahs becomes the feast of two monarchs. Like a storyteller transforming life into a shimmering river where trouble and boredom vanish far below the water, Manuela metamorphoses our existence into a warm and joyful epic.”
Muriel Barbery; trans. by Alison Anderson, The Elegance of the Hedgehog

Oles Honchar
“These conversations ended various ways: one could lose, but also one could make gains, win, emerge from the office a worker of a different specific gravity: there, elements transformed before one's eyes. Loboda knew that the secretary was a man of tempestuous nature, capable of unpredictable decisions. He had to act, so as not to give him a single opportunity.”
Oles Honchar, The Cathedral

“At night the cathedral becomes younger. The wrinkles of time cannot be seen upon it, and it seems to return to its Cossack youth, when it rose from the rushes in a youthful blossoming of beauty and shone for the first time in these steppes with the heavenly hemispheres of its domes...”
Oles Honchar; trans. by Leonid Rudnytzky, The Cathedral

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