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Colleen
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"I finished part 1 which introduces Gertrude Stein and publication history/early critical reception of The Making of Americans. Part 2 is more essays. I will read part 3 alongside TMOA, as it is a “chapter” by “chapter guide (there are no actual chapters, chapters seem to be supplied by critics)." — May 16, 2026 04:48PM
"I finished part 1 which introduces Gertrude Stein and publication history/early critical reception of The Making of Americans. Part 2 is more essays. I will read part 3 alongside TMOA, as it is a “chapter” by “chapter guide (there are no actual chapters, chapters seem to be supplied by critics)." — May 16, 2026 04:48PM
“The music was more than music- at least what we are used to hearing. The music was feeling itself. The sound connected instantly with something deep and joyous. Those powerful moments of true knowledge that we have to paper over with daily life. The music tapped the back of our terrors, too. Things we'd lived through and didn't want to ever repeat. Shredded imaginings, unadmitted longings, fear and also surprisingly pleasures. No, we can't live at that pitch. But every so often something shatters like ice and we are in the river of our existence. We are aware. And this realization was in the music, somehow, or in the way Shamengwa played it.”
― The Plague of Doves
― The Plague of Doves
“Know ye now, Bulkington? Glimpses do ye seem to see of that mortally intolerable truth; that all deep, earnest thinking is but the intrepid effort of the soul to keep the open independence of her sea; while the wildest winds of heaven and earth conspire to cast her on the treacherous, slavish shore?
But as in landlessness alone resides highest truth, shoreless, indefinite as God- so better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing- straight up, leaps thy apotheosis!”
― Moby-Dick or, The Whale
But as in landlessness alone resides highest truth, shoreless, indefinite as God- so better is it to perish in that howling infinite, than be ingloriously dashed upon the lee, even if that were safety! For worm-like, then, oh! who would craven crawl to land! Terrors of the terrible! is all this agony so vain? Take heart, take heart, O Bulkington! Bear thee grimly, demigod! Up from the spray of thy ocean-perishing- straight up, leaps thy apotheosis!”
― Moby-Dick or, The Whale
“It took me a long time to understand that she wasn't being incoherent or contradictory, but rather that it was I myself, arrogant class renegade that I was, who tried to force her discourse into a foreign kind of coherence, one more compatible with my values—that incoherence appears to exist only when you fail to reconstruct the logic that lies behind any given discourse or practice. I came to understand that many different forms of discourse intersected in my mother and spoke through her, that she was constantly torn between her shame at not having finished school and her pride that even so, as she would say, she'd 'made it through and had a bunch of beautiful kids,' and that these two modes of discourse existed only in relation to each other.”
― En finir avec Eddy Bellegueule
― En finir avec Eddy Bellegueule
“Beauty is not good capital. I compounds the oppression of gender. It constrains those who identify as women against their will. It costs money and demands money. It colonizes. It hurts. It is painful. It can never be fully satisfied. It is not useful for human flourishing. Beauty is, like all capital, merely valuable.”
― Thick: And Other Essays
― Thick: And Other Essays
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