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Colleen
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"I finished part 1 which introduces Gertrude Stein and publication history/early critical reception of The Making of Americans. Part 2 is more essays. I will read part 3 alongside TMOA, as it is a “chapter” by “chapter guide (there are no actual chapters, chapters seem to be supplied by critics)." — May 16, 2026 04:48PM
"I finished part 1 which introduces Gertrude Stein and publication history/early critical reception of The Making of Americans. Part 2 is more essays. I will read part 3 alongside TMOA, as it is a “chapter” by “chapter guide (there are no actual chapters, chapters seem to be supplied by critics)." — May 16, 2026 04:48PM
“People who shut their eyes to reality simply invite their own destruction, and anyone who insists on remaining in a state on innocence long after that innocence is dead turns himself into a monster.”
―
―
“Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour ... If at my convenience I might break them, what would be their worth?”
― Jane Eyre
― Jane Eyre
“Beauty is not good capital. I compounds the oppression of gender. It constrains those who identify as women against their will. It costs money and demands money. It colonizes. It hurts. It is painful. It can never be fully satisfied. It is not useful for human flourishing. Beauty is, like all capital, merely valuable.”
― Thick: And Other Essays
― Thick: And Other Essays
“The music was more than music- at least what we are used to hearing. The music was feeling itself. The sound connected instantly with something deep and joyous. Those powerful moments of true knowledge that we have to paper over with daily life. The music tapped the back of our terrors, too. Things we'd lived through and didn't want to ever repeat. Shredded imaginings, unadmitted longings, fear and also surprisingly pleasures. No, we can't live at that pitch. But every so often something shatters like ice and we are in the river of our existence. We are aware. And this realization was in the music, somehow, or in the way Shamengwa played it.”
― The Plague of Doves
― The Plague of Doves
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