Stephanie Schwartz

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And Now, Back to You
Stephanie Schwartz is currently reading
by B.K. Borison (Goodreads Author)
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The Other Bennet ...
Stephanie Schwartz is currently reading
bookshelves: currently-reading
Reading for the 2nd time
read in April 2026
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  (61%)
Apr 23, 2026 08:11PM

 
See all 5 books that Stephanie is reading…
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Catherynne M. Valente
“After all, growing up is nothing but an argument with your parents on the topic of whether or not you are grown. You scream am so am so am so from the moment you're born, and they fire back are not are not are not from the moment they've got you, and on it goes until you can say it loudest.”
Catherynne M. Valente, The Girl Who Soared Over Fairyland and Cut the Moon in Two

Pip Williams
“...I realized that the words most often used to define us were words that described our function in relation to others. Even the most benign words- maiden, wife, mother - told the world whether we were virgins or not. What was the male equivalent of maiden? I could not think of it. What was the male equivalent of Mrs., of whore, of common scold?... Which words would define me? Which would be used to judge or contain?”
Pip Williams, The Dictionary of Lost Words

Gabrielle Zevin
“What is a game?" Marx said. "It's tomorrow, and tomorrow, and tomorrow. It's the possibility of infinite rebirth, infinite redemption. The idea that if you keep playing, you could win. No loss is permanent, because nothing is permanent, ever.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

Pip Williams
“Some words are more than letters on a page, don't you think? They have shape and texture. They are like bullets, full of energy, and when you give one breath you can feel its sharp edge against your lip.”
Pip Williams, The Dictionary of Lost Words

Holly Brickley
“Decades later, in a magazine I bought from a garage sale as a teenager, Tori Amos said she would've given her arm to have written "A Case of You." I'm always struck by this notion. Any writer who's ever been warned off a man wishes they'd written "A Case of You." But what inspires this particular compliment, this feeling of not just loving a song, or any work of art, but longing to have created it yourself? It happens when you identify so intensely with the work it feels wrong somehow - sad, almost- that is didn't come from your own brain. Like if you had arrived at this expression yourself, you would have more effectively metastasized the emotions that made you love the song so much.”
Holly Brickley, Deep Cuts

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