Sarah

“Silence has sometimes a remarkable power of showing itself as the disembodied soul of feeling wandering without its carcase, and it is then more impressive than speech. In the same way, to say a little is often to tell more than to say a great deal.”
― Thomas Hardy, Far from the Madding Crowd

“It is difficult for a woman to define her feelings in language which is chiefly made by men to express theirs.”
― Thomas Hardy, Far From the Madding Crowd

“The thing about these balloons is that there are so goddamned many of them. The sky is choked full of them, rubbing up against one another as they float to here or from there, and every one of those damned balloons ends up on my desk one way or another, and after a while a man can get discouraged. Everywhere the balloons, and each of them with a mother or a father, or God forbid both, and after a while, you can’t even see ’em individually. You look up at all the balloons in the sky and you can see all of the balloons, but you cannot see any one balloon.” He paused then, and inhaled sharply, as if he was realising something. “But then every now and again you talk to some big-eyed kid with too much hair for his head and you want to lie to him because he seems like a good kid. And you feel bad for this kid, because the only thing worse than the skyful of balloons you see is what he sees: a clear blue day interrupted by just the one balloon. But once that string gets cut, kid, you can’t uncut it.”
― John Green, Paper Towns

“English is curvaceous, complex, and beautiful. Fluent and fierce. She is the lover you will always adore but will never fully know because there’s too much to know. She is a true seductress—devious and overt, offering endless possibilities.”
― Samara O'Shea, For the Love of Letters: A 21st-Century Guide to the Art of Letter Writing