Jennifer Campbell

“Hush, sweetheart. You don't have a mother anymore, but let me to speak to you with her voice a minute. Listen. Stepon told us what happened in your house. There are men who are wolves inside, and want to eat up other people to fill their bellies. That it what was in your house with you, all your life. But here you are with your brothers, and you are not eaten up, and there is not a wolf inside you. You have fed each other, and you kept the wolf away. That is all we can do for each other in the world, to keep the wolf away.”
― Naomi Novik, Spinning Silver

“a man: who, knowing his whole true self, cannot be used or possessed by any power other than himself, and whose life therefore is lived for life’s sake and never in the service of ruin, or pain, or hatred, or the dark.”
― Ursula K. Le Guin, A Wizard of Earthsea

“A hero whose heroism consists of killing people is uninteresting to me, and I detest the hormonal war orgies of our visual media, the mechanical slaughter of endless battalions of black-clad, yellow-toothed, red-eyed demons. War as a moral metaphor is limited, limiting, and dangerous. By reducing the choices of action to “a war against” whatever-it-is, you divide the world into Me or Us (good) and Them or It (bad) and reduce the ethical complexity and moral richness of our life to Yes/No, On/Off. This is puerile, misleading, and degrading. In stories, it evades any solution but violence and offers the reader mere infantile reassurance. All too often the heroes of such fantasies behave exactly as the villains do, acting with mindless violence, but the hero is on the “right” side and therefore will win. Right makes might. Or does might make right?”
― Ursula K. Le Guin, A Wizard of Earthsea

“You seemed, in your power, as free as man can be. But at what cost? What made you free? And I... I was made, moulded like clay, by the will of the women serving the Old Powers, or serving the men who made all services and ways and places, I no longer know which. Then I went free, with you, for a moment, and with Ogion. But it was not my freedom. Only it gave me a choice; and I chose. I chose to mould myself like clay to the use of a farm and a farmer and our children. I made myself a vessel. I know its shape. But not the clay. Life danced me. I know the dances. But I don't know who the dancer is.”
― Ursula K. Le Guin, Tehanu