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“Woman is shut up in a kitchen or in a boudoir, and astonishment is expressed that her horizon is limited. Her wings are clipped, and it is found deplorable that she cannot fly. Let but the future be opened to her, and she will no longer be compelled to linger in the present.”
― The Second Sex
― The Second Sex
“प्रासादों के कनकाभ शिखर,
होते कबूतरों के ही घर,
महलों में गरुड़ ना होता है,
कंचन पर कभी न सोता है.
रहता वह कहीं पहाड़ों में,
शैलों की फटी दरारों में.
होकर सुख-समृद्धि के अधीन,
मानव होता निज तप क्षीण,
सत्ता किरीट मणिमय आसन,
करते मनुष्य का तेज हरण.
नर वैभव हेतु लालचाता है,
पर वही मनुज को खाता है.
चाँदनी पुष्प-छाया मे पल,
नर भले बने सुमधुर कोमल,
पर अमृत क्लेश का पिए बिना,
आताप अंधड़ में जिए बिना,
वह पुरुष नही कहला सकता,
विघ्नों को नही हिला सकता.
उड़ते जो झंझावतों में,
पीते जो वारि प्रपातो में,
सारा आकाश अयन जिनका,
विषधर भुजंग भोजन जिनका,
वे ही फानिबंध छुड़ाते हैं,
धरती का हृदय जुड़ाते हैं.”
― रश्मिरथी
होते कबूतरों के ही घर,
महलों में गरुड़ ना होता है,
कंचन पर कभी न सोता है.
रहता वह कहीं पहाड़ों में,
शैलों की फटी दरारों में.
होकर सुख-समृद्धि के अधीन,
मानव होता निज तप क्षीण,
सत्ता किरीट मणिमय आसन,
करते मनुष्य का तेज हरण.
नर वैभव हेतु लालचाता है,
पर वही मनुज को खाता है.
चाँदनी पुष्प-छाया मे पल,
नर भले बने सुमधुर कोमल,
पर अमृत क्लेश का पिए बिना,
आताप अंधड़ में जिए बिना,
वह पुरुष नही कहला सकता,
विघ्नों को नही हिला सकता.
उड़ते जो झंझावतों में,
पीते जो वारि प्रपातो में,
सारा आकाश अयन जिनका,
विषधर भुजंग भोजन जिनका,
वे ही फानिबंध छुड़ाते हैं,
धरती का हृदय जुड़ाते हैं.”
― रश्मिरथी
“...her wings are cut and then she is blamed for not knowing how to fly.”
― The Second Sex
― The Second Sex
“The ideal subject of totalitarian rule is not the convinced Nazi or the convinced Communist, but people for whom the distinction between fact and fiction (i.e., the reality of experience) and the distinction between true and false (i.e., the standards of thought) no longer exist.”
― The Origins of Totalitarianism
― The Origins of Totalitarianism
“If they want to flirt or initiate a friendship, they should carefully avoid giving the impression they are taking the initiative; men do not like tomboys, nor bluestockings, nor thinking women; too much audacity, culture, intelligence, or character frightens them.
In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the hero’s heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy.
To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness.”
― The Second Sex
In most novels, as George Eliot observes, it is the dumb, blond heroine who outshines the virile brunette; and in The Mill on the Floss, Maggie tries in vain to reverse the roles; in the end she dies and it is blond Lucy who marries Stephen. In The Last of the Mohicans, vapid Alice wins the hero’s heart and not valiant Cora; in Little Women kindly Jo is only a childhood friend for Laurie; he vows his love to curly-haired and insipid Amy.
To be feminine is to show oneself as weak, futile, passive, and docile. The girl is supposed not only to primp and dress herself up but also to repress her spontaneity and substitute for it the grace and charm she has been taught by her elder sisters. Any self-assertion will take away from her femininity and her seductiveness.”
― The Second Sex
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DIWAKAR’s 2025 Year in Books
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