Lewis

“Its substance was known to me. The crawling infinity of colours, the chaos of textures that went into each strand of that eternally complex tapestry…each one resonated under the step of the dancing mad god, vibrating and sending little echoes of bravery, or hunger, or architecture, or argument, or cabbage or murder or concrete across the aether. The weft of starlings’ motivations connected to the thick, sticky strand of a young thief’s laugh. The fibres stretched taut and glued themselves solidly to a third line, its silk made from the angles of seven flying buttresses to a cathedral roof. The plait disappeared into the enormity of possible spaces.

Every intention, interaction, motivation, every colour, every body, every action and reaction, every piece of physical reality and the thoughts that it engendered, every connection made, every nuanced moment of history and potentiality, every toothache and flagstone, every emotion and birth and banknote, every possible thing ever is woven into that limitless, sprawling web.

It is without beginning or end. It is complex to a degree that humbles the mind. It is a work of such beauty that my soul wept...

..I have danced with the spider. I have cut a caper with the dancing mad god.”
― China Miéville, Perdido Street Station

“The summer stretched out the daylight as if on a rack. Each moment was drawn out until its anatomy collapsed. Time broke down. The day progressed in an endless sequence of dead moments.”
― China Miéville, Perdido Street Station

“He never spoke with any bitterness at all, no matter how awful the things he said. Are there really people without resentment, without hate, she wondered. People who never go cross-grained to the universe? Who recognize evil, and resist evil, and yet are utterly unaffected by it? Of course there are. Countless, the living and the dead. Those who have returned in pure compassion to the wheel, those who follow the way that cannot be followed without knowing they follow it, the sharecropper's wife in Alabama and the lama in Tibet and the entomologist in Peru and the millworker in Odessa and the greengrocer in London and the goatherd in Nigeria and the old, old man sharpening a stick by a dry streambed somewhere in Australia, and all the others. There is not one of us who has not known them. There are enough of them, enough to keep us going. Perhaps.”
― Ursula K. Le Guin, The Lathe of Heaven

“How much nonsense can we take in our lives? And is there any way we can escape it? No, there is not. We are doomed to all kinds of nonsense: the pain nonsense, the nightmare nonsense, the sweat and slave nonsense, and many other shapes and sizes of insufferable nonsense. It is brought to us on a plate, and we must eat it up or face the death nonsense.7”
― Thomas Ligotti, The Conspiracy Against the Human Race: A Contrivance of Horror