Mati

“But there's a world beyond what we can see and touch, and that world lives by its own laws. What may be impossible in this very ordinary world is very possible there, and sometimes the boundaries between the two worlds disappear, and then who can say what is possible and impossible?”
― David Eddings, Pawn of Prophecy

“Oh, well," Silk said wryly, "we might as well get it out into the open, I suppose. Gentlemen," he said, "I'm sure you all remember the Margravine Liselle, my fiancee."
"Your fiancee?" Barak exclaimed in amazement.
"We all have to settle down sometime." Silk shrugged.
They all gathered around to congratulate him. Velvet, however, did not look pleased.
"Was something the matter, dear?" Silk asked her, all innocence.
"Don't you think you've forgotten something, Kheldar?" she asked acidly.
"Not that I recall."
"You neglected to ask me about this first."
"Really? Did I actually forget that? You weren't planning to refuse, were you?"
"Of course not."
"Well, then --"
"You haven't heard the last of this, Kheldar," she said ominously.
"I seem to be getting off to a bad start here," he observed.
"Very bad," she agreed.”
― David Eddings, Seeress of Kell

“The story so far:
In the beginning the Universe was created.
This has made a lot of people very angry and been widely regarded as a bad move.”
― Douglas Adams, The Restaurant at the End of the Universe

“He had heard about talking to plants in the early seventies, on Radio Four, and thought it was an excellent idea. Although talking is perhaps the wrong word for what Crowley did.
What he did was put the fear of God into them.
More precisely, the fear of Crowley.
In addition to which, every couple of months Crowley would pick out a plant that was growing too slowly, or succumbing to leaf-wilt or browning, or just didn't look quite as good as the others, and he would carry it around to all the other plants. "Say goodbye to your friend," he'd say to them. "He just couldn't cut it. . . "
Then he would leave the flat with the offending plant, and return an hour or so later with a large, empty flower pot, which he would leave somewhere conspicuously around the flat.
The plants were the most luxurious, verdant, and beautiful in London. Also the most terrified.”
― Neil Gaiman, Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch