Zeynep

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The City and Its ...
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On İki Gezici Öykü
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Gümüş Damacana
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Claire Keegan
“Many's the man lost much just because he missed a perfect opportunity to say nothing.”
Claire Keegan, Foster

Stephen        King
“He wanted to lead a division in the army of - who? God, right, goodness, they were names for the same thing - into battle against EVIL. He wanted issues and battle lines and never mind standing in the cold outside supermarkets handing out leaflets about the lettuce boycott or the grape strike. He wanted to see EVIL with its cerements of deception cast aside, with every feature of its visage clear. He wanted to slug it out toe to toe with EVIL, like Muhammad Ali against Joe Frazier, the Celtics against the Knicks, Jacob against the Angel. He wanted this struggle to be pure, unhindered by the politics that rode the back of every social issue like a deformed Siamese twin. He had wanted all this since he had wanted to be a priest, and that call had come to him at the age of fourteen, when he had been inflamed by the story of St Stephen, the first Christian martyr, who had been stoned to death and who had seen Christ at the moment of his death. Heaven was a dim attraction compared to that of fighting - and perhaps perishing - in the service of the Lord. But there were no battles. There were only skirmishes of vague resolution. And EVIL did not wear one face but many, and all of them were vacuous and more often than not the chin was slicked with drool. In fact, he was being forced to the conclusion that there was no EVIL in the world at all but only evil - or perhaps (evil).”
Stephen King, 'Salem's Lot

Claire Keegan
“It seemed both proper and at the same time deeply unfair that so much of life was left to chance.”
Claire Keegan, Small Things Like These

Stephen        King
“But civilization, you know…”
He trailed off, unable to describe the change inherent in that featureless noun, the death of romance and the lingering of its sterile, carnal revenant, a world living on the forced respiration of glitter and ceremony; the geometric steps of make-believe courtship during the Sowing Night Coil that had replaced the truer, madder, scribble-scrabble of love which he could only intuit dimly; hollow grandeur in place of true passions which might once have built kingdoms and sustained them.”
Stephen King, The Gunslinger

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