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Letícia
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“an anthropologist who wrote about how the first artifact of civilization wasn’t a hammer or arrowhead, but a human femur—discovered in Madagascar—that showed signs of having healed from a bad fracture. In the animal world, a broken leg meant you starved, so a healed femur meant that some human had supported another’s long recovery, fed them, cleaned the wound. And thus, the author argued, began civilization. Augured not by an instrument of murder, but by a fracture bound, a bit of food brought back for another.”
― Martyr!
― Martyr!
“For our species, the idea of art as ornament is a relatively new one. Our ape brains got too big, too big for our heads, too big for our mothers to birth them. So we started keeping all our extra knowing in language, in art, in stories and books and songs. Art was a way of storing our brains in each other’s. It wasn’t until fairly recently in human history, when rich landowners wanted something pretty to look at in winter, that the idea of art-as-mere-ornament came around. A painting of a blooming rose to hang on the mantel when the flowers outside the window had gone to ice. And still in the twenty-first century, it’s hard for folks to move past that. This idea that beauty is the horizon toward which all great art must march. I’ve never been interested in that. “As heaven spins, I fall into bedlam.”
― Martyr!
― Martyr!
“My Name
“I guess you are kind of curious as to who I am, but I am one of those who do not have a regular name. My name depends on you. Just call me whatever is in your mind.
If you are thinking about something that happened a long time ago: Somebody asked you a question and you did not know the answer.
That is my name.
Perhaps it was raining very hard.
That is my name.
Or somebody wanted you to do something. You did it. Then they told you what you did was wrong—“Sorry for the mistake,”—and you had to do something else.
That is my name.
Perhaps it was a game you played when you were a child or something that came idly into your mind when you were old and sitting in a chair near the window.
That is my name.
Or you walked someplace. There were flowers all around.
That is my name.
Perhaps you stared into a river. There was somebody near you who loved you. They were about to touch you. You could feel this before it happened. Then it happened.
That is my name.”
― In Watermelon Sugar
“I guess you are kind of curious as to who I am, but I am one of those who do not have a regular name. My name depends on you. Just call me whatever is in your mind.
If you are thinking about something that happened a long time ago: Somebody asked you a question and you did not know the answer.
That is my name.
Perhaps it was raining very hard.
That is my name.
Or somebody wanted you to do something. You did it. Then they told you what you did was wrong—“Sorry for the mistake,”—and you had to do something else.
That is my name.
Perhaps it was a game you played when you were a child or something that came idly into your mind when you were old and sitting in a chair near the window.
That is my name.
Or you walked someplace. There were flowers all around.
That is my name.
Perhaps you stared into a river. There was somebody near you who loved you. They were about to touch you. You could feel this before it happened. Then it happened.
That is my name.”
― In Watermelon Sugar
“You think this country returns our love? Nonsense! She vomits us up time and time again, sends us to hell, beats us down without mercy. With the Romans and the Greeks and the Arabs and the mosquitoes. So you think that someone here says, 'If she doesn't want me, I should go?' Someone here says 'There's no point in holding a country by force if she's been trying to get rid of you from the minute you came to her?' No. You hold on to her as hard as you can and you hope. You hope that maybe she'll finally look around and see you and say - that one. That's the one I want.”
― One Night, Markovitch
― One Night, Markovitch
“I got tired, I told him. Not worn out, but worn through. Like one of those wives who wakes up one morning and says I can't bake any more bread.
You never bake bread, he wrote, and we were still joking.
Then it's like I woke up and baked bread, I said, and we were joking even then. I wondered will there come a time when we won't be joking? And what would it look like? And how would that feel?
When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calender that showed the wrong month. I could have cried over it. I did. Where the smoke from the chimney ended. How an overturned bottle rested at the edge of a table.
I spent my life learning to feel less.
Every day I felt less.
Is that growing old? Or is it something worse?
You cannot protect yourself from sadness without protecting yourself from happiness.”
―
You never bake bread, he wrote, and we were still joking.
Then it's like I woke up and baked bread, I said, and we were joking even then. I wondered will there come a time when we won't be joking? And what would it look like? And how would that feel?
When I was a girl, my life was music that was always getting louder. Everything moved me. A dog following a stranger. That made me feel so much. A calender that showed the wrong month. I could have cried over it. I did. Where the smoke from the chimney ended. How an overturned bottle rested at the edge of a table.
I spent my life learning to feel less.
Every day I felt less.
Is that growing old? Or is it something worse?
You cannot protect yourself from sadness without protecting yourself from happiness.”
―
Letícia’s 2025 Year in Books
Take a look at Letícia’s Year in Books, including some fun facts about their reading.
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