Shreya

“And yet , the burden of perpetual apprehension that she had carried around for years - of suddenly receiving news of death - had lightened somewhat. Not because she loved him any less, but because the battered angels in the graveyard that kept watch over their battered charges held open the doors between worlds (illegally, just a crack), so that the souls of the present and the departed could mingle, like guests at the same party. It made life less determinate and death less conclusive. Somehow everything became a little easier to bear.”
― Arundhati Roy, The Ministry of Utmost Happiness

“If you’ll pardon me for making this somewhat prosaic observation – maybe that’s what life is, or ends up being most of the time: a rehearsal for a performance that never eventually materializes.”
― Arundhati Roy, The Ministry of Utmost Happiness

“They had always fitted together like pieces of an unsolved (and perhaps unsolvable) puzzle- the smoke of her into the solidness of him, the solitariness of her into the gathering of him, the strangeness of her into the straightforwardness of him, the insouciance of her into the restraint of him. The quietness of her into the quietness of him.”
― Arundhati Roy, The Ministry of Utmost Happiness

“I missed my father driving us back from the Pomona State Fair, elbowing me awake, the Dodger postgame on the radio as I rubbed the sleep from my eyes just in time to see that sign, DICKENS-NEXT EXIT, and know I was home. Shit, I missed that sign. And what are cities really, besides signs and arbitrary boundaries?”
― Paul Beatty, The Sellout