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Everybody's Perfect
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by Jo Walton (Goodreads Author)
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Jul 12, 2026 09:00PM

 
Magical/Realism: ...
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The Edge of Space...
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May 20, 2026 10:37AM

 
Book cover for Sand Talk: How Indigenous Thinking Can Save the World
Avatar depression is a real condition. It arose from James Cameron’s 2009 movie about blue alien indigenes being invaded by a mining company, and psychiatrists have been struggling to treat it ever since. Apparently, the vision of ...more
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John McWhorter
“In an ideal world, the time English speakers devote to steeling themselves against, and complaining about, things like Billy and me, singular they, and impact as a verb would be better spent attending to genuine matters of graceful oral and written expression.”
John H. McWhorter, Our Magnificent Bastard Tongue: The Untold History of English

Neil Gaiman
“When I was a child, adults would tell me not to make things up, warning me of what would happen if I did. As far as I can tell so far, it seems to involve lots of foreign travel and not having to get up too early in the morning.”
Neil Gaiman, Smoke and Mirrors: Short Fiction and Illusions

J. Michael Straczynski
“Compromise where you can. Where you can't, don't. Even if everyone is telling you that something wrong is something right. Even if the whole world is telling you to move, it is your duty to plant yourself like a tree, look them in the eye, and say 'No, you move'.”
J. Michael Straczynski

John McWhorter
“Oh, those lapses, darling. So many of us walk around letting fly with “errors.” We could do better, but we’re so slovenly, so rushed amid the hurly-burly of modern life, so imprinted by the “let it all hang out” ethos of the sixties, that we don’t bother to observe the “rules” of “correct” grammar.

To a linguist, if I may share, these “rules” occupy the exact same place as the notion of astrology, alchemy, and medicine being based on the four humors. The “rules” make no logical sense in terms of the history of our language, or what languages around the world are like.

Nota bene: linguists savor articulateness in speech and fine composition in writing as much as anyone else. Our position is not—I repeat, not—that we should chuck standards of graceful composition. All of us are agreed that there is usefulness in a standard variety of a language, whose artful and effective usage requires tutelage. No argument there.

The argument is about what constitutes artful and effective usage. Quite a few notions that get around out there have nothing to do with grace or clarity, and are just based on misconceptions about how languages work.

Yet, in my experience, to try to get these things across to laymen often results in the person’s verging on anger. There is a sense that these “rules” just must be right, and that linguists’ purported expertise on language must be somehow flawed on this score. We are, it is said, permissive—perhaps along the lines of the notorious leftist tilt among academics, or maybe as an outgrowth of the roots of linguistics in anthropology, which teaches that all cultures are equal. In any case, we are wrong. Maybe we have a point here and there, but only that.”
John H. McWhorter, Our Magnificent Bastard Tongue: The Untold History of English

John McWhorter
“(I must note that the copy editor for this book, upon reading this section, actually allowed me to use singular they throughout the book. Here’s to them in awed gratitude!)”
John H. McWhorter, Our Magnificent Bastard Tongue: The Untold History of English

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