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This Vicious Hunger
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by Francesca May (Goodreads Author)
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Astarion: Baldur'...
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The Sunken, the A...
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by Donyae Coles (Goodreads Author)
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Book cover for Sand Talk: How Indigenous Thinking Can Save the World
Avatar depression is a real condition. It arose from James Cameron’s 2009 movie about blue alien indigenes being invaded by a mining company, and psychiatrists have been struggling to treat it ever since. Apparently, the vision of ...more
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John McWhorter
“(I must note that the copy editor for this book, upon reading this section, actually allowed me to use singular they throughout the book. Here’s to them in awed gratitude!)”
― John H. McWhorter, Our Magnificent Bastard Tongue: The Untold History of English

John McWhorter
“In an ideal world, the time English speakers devote to steeling themselves against, and complaining about, things like Billy and me, singular they, and impact as a verb would be better spent attending to genuine matters of graceful oral and written expression.”
― John H. McWhorter, Our Magnificent Bastard Tongue: The Untold History of English

John McWhorter
“Oh, those lapses, darling. So many of us walk around letting fly with “errors.” We could do better, but we’re so slovenly, so rushed amid the hurly-burly of modern life, so imprinted by the “let it all hang out” ethos of the sixties, that we don’t bother to observe the “rules” of “correct” grammar.

To a linguist, if I may share, these “rules” occupy the exact same place as the notion of astrology, alchemy, and medicine being based on the four humors. The “rules” make no logical sense in terms of the history of our language, or what languages around the world are like.

Nota bene: linguists savor articulateness in speech and fine composition in writing as much as anyone else. Our position is not—I repeat, not—that we should chuck standards of graceful composition. All of us are agreed that there is usefulness in a standard variety of a language, whose artful and effective usage requires tutelage. No argument there.

The argument is about what constitutes artful and effective usage. Quite a few notions that get around out there have nothing to do with grace or clarity, and are just based on misconceptions about how languages work.

Yet, in my experience, to try to get these things across to laymen often results in the person’s verging on anger. There is a sense that these “rules” just must be right, and that linguists’ purported expertise on language must be somehow flawed on this score. We are, it is said, permissive—perhaps along the lines of the notorious leftist tilt among academics, or maybe as an outgrowth of the roots of linguistics in anthropology, which teaches that all cultures are equal. In any case, we are wrong. Maybe we have a point here and there, but only that.”
― John H. McWhorter, Our Magnificent Bastard Tongue: The Untold History of English

John McWhorter
“Linguists traditionally observe that esteemed writers have been using they as a gender-neutral pronoun for almost a thousand years. As far back as the 1400s, in the Sir Amadace story, one finds the likes of Iche mon in thayre degree (“Each man in their degree”).”
― John H. McWhorter, Our Magnificent Bastard Tongue: The Untold History of English

Neil Gaiman
“When I was a child, adults would tell me not to make things up, warning me of what would happen if I did. As far as I can tell so far, it seems to involve lots of foreign travel and not having to get up too early in the morning.”
― Neil Gaiman, Smoke and Mirrors: Short Fiction and Illusions

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