steve

“What?”
― Richard Nixon

“In the past, nothing is irretrievably lost, but rather, on the contrary, everything is irrevocably stored and treasured. To be sure, people tend to see only the stubble fields of transitoriness but overlook and forget the full granaries of the past into which they have brought the harvest of their lives: the deeds done, the loves loved, and last but not least, the sufferings they have gone through with courage and dignity.
From this one may see that there is no reason to pity the old people. Instead, young people should envy them. It is true that the old have no opportunities, no possibilities in the future. But they have more than that: Instead of possibilities in the future, they have realities in the past -the potentialities they have actualized, the meanings they have fulfilled, the values they have realized -and nothing and nobody can ever remove these assets from the past.”
― Viktor E. Frankl, Man's Search for Meaning

“One is taught to refrain from irony, because mankind does tend to take it literally. In the hearing of the gods, who hear all, it is conversely unsage to make a simple and direct statement. So what is one to do? The dilema needs a whole volume to itself.”
― Max Beerbohm, Zuleika Dobson

“When he was left alone, when he had pulled out one stop after another (for the work required it), Stanley straightened himself on the seat, tightened the knot of the red necktie, and struck. The music soared around him, from the corner of his eye he caught the glitter of his wrist watch, and even as he read the music before him, and saw his thumb and last finger come down time after time with three black keys between them, wringing out fourths, the work he had copied coming over on the Conte di Brescia, wringing that chord of the devil’s interval from the full length of the thirty-foot bass pipes, he did not stop. The walls quivered, still he did not hesitate. Everything moved, and even falling, soared in atonement.

He was the only person caught in the collapse, and afterward, most of his work was recovered too, and it is still spoken of, when it is noted, with high regard, though seldom played.”
― William Gaddis, The Recognitions