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The Art of Memoir
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Book cover for Gods & Monsters (Serpent & Dove, #3)
“Dreams are never dreams, Mademoiselle Célie. They are our deepest wishes and darkest secrets made true, whispered only under cloak of night. In them, we are free to know ourselves.”
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Gabrielle Zevin
“The world seemed filled with interesting books to read, interesting plays and movies to see, interesting games to play, interesting food to taste, and interesting people to have sex with and sometimes even to fall in love with. To Marx, it seemed foolish not to love as many things as you could. In the first months she knew him, Sadie disparaged Marx to Sam by calling him “the romantic dilettante.” But for Marx, the world was like a breakfast at a five-star hotel in an Asian country—the abundance of it was almost overwhelming. Who wouldn’t want a pineapple smoothie, a roast pork bun, an omelet, pickled vegetables, sushi, and a green-tea-flavored croissant? They were all there for the taking and delicious, in their own way.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

Gabrielle Zevin
“How do I go on when the person I love most in the world is in love with someone else? Someone tell me the solution, he thought, so I don't have to play this losing game all the way through.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

Gabrielle Zevin
“She had resisted returning there because to return to one’s hometown felt like surrender.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

Gabrielle Zevin
“It is to acknowledge that love is both a constant and a variable at the same time.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

Gabrielle Zevin
“A good game designer know that clinging to a few early ideas about a project can cut off the potential for the work. Sadie did not feel the Naomi was altogether a person yet, which was another thing that one could not admit. So many of the mothers she knew said that their children were exactly themselves from the moment they appeared in the world. But Sade disagreed. What person was a person without language? Tastes? Preferences? Experiences? And on the other side of childhood, what grown-up wanted to believe that they had emerged from their parents fully made? Sadie knew that she herself had not become a person until recently. It was unreasonable to expect a child to emerge whole cloth. Naomi was a pencil sketch off a person who, at some point, would be a fully 3D character.”
Gabrielle Zevin, Tomorrow, and Tomorrow, and Tomorrow

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