Bárbara Nacif

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A Paixão Segundo ...
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Sep 15, 2014 07:10AM

 
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Marguerite Duras
“I meet you. I remember you. Who are you? You’re destroying me. You’re good for me. How could I know this city was tailor-made for love? How could I know you fit my body like a glove? I like you. How unlikely. I like you. How slow all of a sudden. How sweet. You cannot know. You’re destroying me. You’re good for me. You’re destroying me. You’re good for me. I have time. Please, devour me. Deform me to the point of ugliness. Why not you? Why not you in this city and in this night, so like other cities and other nights you can hardly tell the difference? I beg of you.”
Marguerite Duras, Hiroshima mon amour

Virginia Woolf
“The roar of the traffic, the passage of undifferentiated
faces, this way and that way, drugs me into dreams; rubs the
features from faces. People might walk through me. And what is
this moment of time, this particular day in which I have found
myself caught? The growl of traffic might be any uproar - forest trees or
the roar of wild beasts. Time has whizzed back an inch or two on its reel;
our short progress has been cancelled. I think also that our bodies are in truth
naked. We are only lightly covered with buttoned cloth; and beneath these
pavements are shells, bones and silence.”
Virginia Woolf, The Waves

Sylvia Plath
“I desire the things which will destroy me in the end.”
Sylvia Plath, The Unabridged Journals of Sylvia Plath

Sylvia Plath
“I like people too much or not at all. I've got to go down deep, to fall into people, to really know them.”
Sylvia Plath, The Unabridged Journals of Sylvia Plath

Marguerite Duras
“Women must find their own answer. That’s the important thing. I’m no longer interested in books about women written by men. Even if I could believe in their objectivity, I just can’t find their opinions relevant. Now I will only believe what a woman has to say about women, because even if it’s not entirely true, it’s her struggle and she’s on the way to the answer.

Many of you seek masculine approval. Even though you have inside you your way of talking and writing, you have mountains of it inside you, and even though it is enough to begin expressing yourselves so long as it is with your vocabulary, your abstractions, and your own conceptualization, I think you are still afraid of the master: men. Of their judgment. As long as you have this fear, you will not progress. I think the future belongs to women. Men have been completely dethroned. Their rhetoric is stale, used up. We must move on the rhetoric of women, one that is anchored in the organism, in the body.”
Marguerite Duras

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