Inna
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“Having a grandmother is like having an army. This is a grandchild's ultimate privilege: knowing that someone is on your side, always, whatever the details. Even when you are wrong. Especially then, in fact. A grandmother is both a sword and a shield.”
― My Grandmother Asked Me to Tell You She's Sorry
― My Grandmother Asked Me to Tell You She's Sorry
“No, I’m no patriot, nor was I ever allowed to be. And yet, the
country of my childhood lives within me with a primacy that is
a form of love. It lives within me despite my knowledge of our
marginality, and its primitive, unpretty emotions. Is it blind
and self-deceptive of me to hold on to its memory? I think it
would be blind and self-deceptive not to. All it has given me is
the world, but that is enough. It has fed me language, percep-
tions, sounds, the human kind .... no geometry of landscape,
no haze in the air, will live in us as intensely as the landscapes
that we saw as the fi rst, and to which we gave ourselves wholly,
without reservation.”
― Lost in Translation: A Life in a New Language
country of my childhood lives within me with a primacy that is
a form of love. It lives within me despite my knowledge of our
marginality, and its primitive, unpretty emotions. Is it blind
and self-deceptive of me to hold on to its memory? I think it
would be blind and self-deceptive not to. All it has given me is
the world, but that is enough. It has fed me language, percep-
tions, sounds, the human kind .... no geometry of landscape,
no haze in the air, will live in us as intensely as the landscapes
that we saw as the fi rst, and to which we gave ourselves wholly,
without reservation.”
― Lost in Translation: A Life in a New Language
“Excerpt from Ursula K Le Guin's speech at National Book Awards
Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom – poets, visionaries – realists of a larger reality.
Right now, we need writers who know the difference between production of a market commodity and the practice of an art. Developing written material to suit sales strategies in order to maximise corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship.
Yet I see sales departments given control over editorial. I see my own publishers, in a silly panic of ignorance and greed, charging public libraries for an e-book six or seven times more than they charge customers. We just saw a profiteer try to punish a publisher for disobedience, and writers threatened by corporate fatwa. And I see a lot of us, the producers, who write the books and make the books, accepting this – letting commodity profiteers sell us like deodorant, and tell us what to publish, what to write.
Books aren’t just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism, its power seems inescapable – but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.
I’ve had a long career as a writer, and a good one, in good company. Here at the end of it, I don’t want to watch American literature get sold down the river. We who live by writing and publishing want and should demand our fair share of the proceeds; but the name of our beautiful reward isn’t profit. Its name is freedom.”
―
Hard times are coming, when we’ll be wanting the voices of writers who can see alternatives to how we live now, can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine real grounds for hope. We’ll need writers who can remember freedom – poets, visionaries – realists of a larger reality.
Right now, we need writers who know the difference between production of a market commodity and the practice of an art. Developing written material to suit sales strategies in order to maximise corporate profit and advertising revenue is not the same thing as responsible book publishing or authorship.
Yet I see sales departments given control over editorial. I see my own publishers, in a silly panic of ignorance and greed, charging public libraries for an e-book six or seven times more than they charge customers. We just saw a profiteer try to punish a publisher for disobedience, and writers threatened by corporate fatwa. And I see a lot of us, the producers, who write the books and make the books, accepting this – letting commodity profiteers sell us like deodorant, and tell us what to publish, what to write.
Books aren’t just commodities; the profit motive is often in conflict with the aims of art. We live in capitalism, its power seems inescapable – but then, so did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art. Very often in our art, the art of words.
I’ve had a long career as a writer, and a good one, in good company. Here at the end of it, I don’t want to watch American literature get sold down the river. We who live by writing and publishing want and should demand our fair share of the proceeds; but the name of our beautiful reward isn’t profit. Its name is freedom.”
―
“The mind of man, moreover, works with equal strangeness upon the body of time. An hour, once it lodges in the queer element of the human spirit, may be stretched to fifty or a hundred times its clock length; on the other hand, an hour may be accurately represented on the timepiece of the mind by one second.”
― Orlando
― Orlando
“You don't look well," he pronounced.
"Indigestion," I replied.
"From what?"
"Reality."
"Join the queue.”
― The Angel's Game
"Indigestion," I replied.
"From what?"
"Reality."
"Join the queue.”
― The Angel's Game
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Inna’s 2025 Year in Books
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