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“I knew both from personal experience and by the example of many of my comrades that fighting in a war has an irreparably destructive effect on almost any man. I knew also that the constant proximity of death, the sight of the killed, wounded, dying, hanged and shot, the great red flame in the icy air above blazing villages on a winter’s night, the carcass of a man’s horse and those auditory impressions - the alarm bell, shell explosions, the whistle of bullets, the desperate, unknown cries – none of this ever passes with impunity. I knew that the silent, almost unconscious memory of war haunts the majority of people who have gone through it, leaving something broken in them once and for all. I knew myself that the normal, human ideas regarding the value of life and the necessity for a basic moral code – not to kill, not to steal, not to rape, to show compassion – had been slowly reasserted within me after the war, but they had lost their former persuasiveness and had become merely a system of theoretical morality, with whose correctness and necessity I couldn’t, in principle, disagree. Those feelings that ought to have been inside me and that were a condition of the re-establishment of this code had been razed by war; they no longer existed, and there was nothing to take their place.”
― Het fantoom van Alexander Wolf
― Het fantoom van Alexander Wolf
“Никой от никого не се стесняваше; най-красивите момичета не се срамуваха да влязат под ръка със смолисточерен негър или тесноок китаец в най-близкия малък хотел – кой го беше грижа в Париж за тези едва по-късно разтръбени лозунги плашила, като раса, класа, произход? Можеше да ходиш, да разговаряш, да спиш с когото или с която ти се нрави и да не даваш пет пари за другите.”
― Die Welt von gestern: Erinnerungen eines Europäers
― Die Welt von gestern: Erinnerungen eines Europäers
“I believe that architecture today needs to reflect on the task and possibilities which are inherently its own. Architecture is not a vehicle or a symbol for things that do not belong to its essence. In a society that celebrates the inessential, architecture can put up a resistance, counteract the waste of forms and meanings, and speak its own language.”
― Thinking Architecture
― Thinking Architecture
“Architecture has its own realm. It has a special physical relationship with life. I do not think of it primarily as either a message or a symbol, but as an envelope and background for life which goes on in and around it, a sensitive container for the rhythm of footsteps on the floor, for the concentration of work, for the silence of sleep.”
― Thinking Architecture
― Thinking Architecture
“If a work of architecture consists of forms and contents that combine to create a strong fundamental mood powerful enough to affect us, it may possess the qualities of a work of art. This art has, however, nothing to do with interesting configurations or originality. It is concerned with insights and understanding, and above all truth. Perhaps poetry is unexpected truth. It lives in stillness. Architecture's artistic task is to give this still expectancy a form. The building itself is never poetic. At most, it may possess subtle qualities, which, at certain moments, permit us to understand something that we were never able to understand in quite this way before.”
― Thinking Architecture
― Thinking Architecture
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