Aleksandra

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progress:  On page 0. "niczego nie rozumiem" Nov 27, 2024 01:19PM

 
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Alejandra Pizarnik
“What happened to Kafka is the same as what happened to me. He withdrew, he went too far into solitude and knew he must have known, you never come back from there.”
Alejandra Pizarnik

David Wojnarowicz
“I remembered a friend of mine dying from AIDS, and while he was visiting his family on the coast for the last time, he was seated in the grass during a picnic to which dozens of family members were invited. He looked up from his fried chicken and said, "I just want to die with a big dick in my mouth.”
David Wojnarowicz, Close to the Knives: A Memoir of Disintegration
tags: gay, humour

Jonas Mekas
“I read a lot. I listen a lot. I think a lot. But so little remains. The books I read, their plots, their protagonists fade. The university lectures that I had found pretty impressive on first hearing, have faded away. Now I am listening to one on Pirandello. Names of people, books, cities. They are already fading away. Even the titles of films I’ve seen recently — they have already faded. Authors of thousands of books I’ve read... All that remains are the colours of their bindings, their covers. I don’t remember much about Beauty and the Beast, but I remember clearly, vividly the hear of the day as we were crossing the Rhine bridge, to see the film. Everything that I see, or red, or listen to, connects, translates into moods, bits of surroundings, colors. No, I am not a novelist. No precision of observation, detail. With me, everything is mood, mood, or else —simply nothingness.”
Jonas Mekas, I Had Nowhere to Go

David Wojnarowicz
“If silence equals death, he taught us, then art equals language equals life.”
David Wojnarowicz, Close to the Knives: A Memoir of Disintegration

Ali Smith
“What he longs for instead, as he sits at the food-strewn table, is winter, winter itself. He wants the essentiality of winter, not this half-season grey selfsameness. He wants real winter where woods are sheathed in snow, trees emphatic with its white, their bareness shining and enhanced because of it, the ground underfoot snow-covered as if with frozen feathers or shredded cloud but streaked with gold through the trees from low winter sun, and at the end of the barely discernible track, along the dip in the snow that indicates a muffled path between the trees, the view and the woods opening to a light that’s itself untrodden, never been blemished, wide like an expanse of snow-sea, above it more snow promised, waiting its time in the blank of the sky.”
Ali Smith, Winter

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