Pablo

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“To long to read.”
A. Cretan

“My story begins in nineteen-dickety-two. We had to say -dickety- because the Kaiser had stolen our word -twenty-. I chased that rascal to get it back, but gave up after dickety-six miles. What are you cackling at, fatty? Too much pie, that's your problem! Now, I'd like to digress from my prepared remarks to discuss how I invented the terlet...”
Grandpa Simpson

“Now, in all that he has done, Amos Tutuola is not sui generis. Is he ungrammatical? Yes. But James Joyce is more ungrammatical than Tutuola. Ezekiel Mphahlele has often said and written that African writers are doing violence to English. Violence? Has Joyce not done more violence to the English Language? Mark Twain's Huckleberry Finn is written in seven dialects, he tells us. It is acknowledged a classic. We accept it, forget that it has no "grammar", and go ahead to learn his "grammar" and what he has to tell us. Let Tutuola write "no grammar" and the hyenas and jackals whine and growl. Let Gabriel Okara write a "no grammar" Okolo. They are mum. Why? Education drives out of the mind superstition, daydreaming, building of castles in the air, cultivation of yarns, and replaces them with a rational practical mind, almost devoid of imagination. Some of these minds having failed to write imaginative stories, turn to that aristocratic type of criticism which magnifies trivialities beyond their real size. They fail to touch other virtues in a work because they do not have the imagination to perceive these mysteries. Art is arbitrary. Anybody can begin his own style. Having begun it arbitrarily, if he persists to produce in that particular mode, he can enlarge and elevate it to something permanent, to something other artists will come to learn and copy, to something the critics will catch up with and appreciate.”
Taban Lo Liyong

Miguel de Cervantes Saavedra
“La libertad, Sancho, es uno de los más preciosos dones que a los hombres dieron los cielos; con ella no pueden igualarse los tesoros que encierra la tierra ni el mar encubre; por la libertad, así como por la honra, se puede y debe aventurar la vida, y, por el contrario, el cautiverio es el mayor mal que puede venir a los hombres.”
Miguel de Cervantes Saavedra

Marguerite Young
“I see myself as traditional even though I know you see my work as experimental. I don’t really consider Sterne, Joyce, and Proust experimental either because the tradition of their writing goes back a long way. Traditional. The Grand Tradition. Clear back to “Don Quixote.” I never decided to write in a “new way” at all. It’s realism that’s fairly new. Is it experimental to have been influenced by the Bible? By Saint Augustine?”
Marguerite Young

58827 Brain Pain — 1249 members — last activity Oct 10, 2023 09:29AM
NOTE: This group is intermittently active, but you are welcome to revive past discussions if you're currently reading any of those books. We read ch ...more
82746 William T Vollmann Central — 270 members — last activity Nov 26, 2025 02:44AM
This corner of goodreads shall serve the needs of rainbow readers of Mr Vollmann's indulgent body of work. We welcome the veteran and the fresh flesh ...more
124430 Finnegans Wake Grappa — 140 members — last activity Nov 24, 2025 01:59AM
Lotts hab funn at Finnegans wake!! Here Comes Everybody!! Alle Laffing Prettee!!!
186078 Library of Arabic Literature — 130 members — last activity Feb 13, 2019 12:02PM
Library of Arabic Literature is making beautiful books. from the website :: "The Library of Arabic Literature series offers Arabic editions and Engl ...more
97302 The BURIED Book Club — 929 members — last activity Oct 09, 2025 06:06PM
TODAY BOOKS ARE NOT BURNED. THEY ARE BURIED. WE SHALL UNEARTH THEM.
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