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Emily’ye Bir Gül
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Türkiye Kadar Bir...
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Düşüncelerin Günb...
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Thomas Bernhard
“I must have made a pitiful, indeed pitiable impression on an observer, though there was none – unless I'm going to say that I am an observer of myself, which is stupid, since I am my own observer anyway: I've actually been observing myself for years, if not for decades; my life now consists only of self-observation and self-contemplation, which naturally leads to self-condemnation, self-rejection and self-mockery. For years I have lived in this state of self-condemnation, self-abnegation and self mockery, in which ultimately I always have to take refuge in order to save myself. But all the time I ask myself what I have to save myself from?”
Thomas Bernhard, Concrete

Thomas Bernhard
“I don't belong to the masses, I've been against the masses all my life, and I'm not in favour of dogs.”
Thomas Bernhard, Concrete

Kōbō Abe
“The only way to go beyond work is through work. It is not that work itself is valuable; we surmount work by work. The real value of work lies in the strength of self-denial.”
Kōbō Abe, The Woman in the Dunes

Friedrich Nietzsche
“In the end I also write slowly. Nowadays it is not only my habit, it is also to my taste - a malicious taste, perhaps? - no longer to write anything which does not reduce to despair every sort of man who is 'in a hurry'. For philology is that venerable art which demands of its votaries one thing above all: to go aside, to take time, to become still, to become slow- it is a goldsmith's art and connoisseurship of the word which has nothing but delicate, cautious work to do and achieves nothing if it does not achieve it Lento. But for precisely this reason it is more necessary than ever today, by precisely this means does it entice and enchant us the most, in the midst of an age of 'work', that is to say, of hurry, of indecent and perspiring haste, which wants to 'get everything done' at once, including every old or new book: - this art does not so easily get anything done, it teaches to read well, that is to say, to read slowly, deeply, looking cautiously before and aft, with reservations, with doors left open, with delicate eyes and fingers ... My patient friends, this book desires for itself only perfect readers and philologists: Learn to read me well!”
Friedrich Nietzsche, Daybreak: Thoughts on the Prejudices of Morality

Fernando del Paso
“This is a work of fiction.
If certain characters resemble people in real life, it is because certain people in real life resemble characters from a novel.
Nobody, therefore, is entitled to feel included in this book.
Nobody, by the same token, to feel excluded.”
Fernando Del Paso, Palinuro de México

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