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Games: Agency As Art
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Maus I: Un Surviv...
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John Darnielle
“Trying to explain the feeling I had is like trying to describe what you see when your eyes are bandaged: it’s not impossible, but it’s different from describing something you can actually look at, something you might see in the course of a normal day. It is trying to describe something at which you are unable to look directly.”
John Darnielle, Wolf in White Van

John Darnielle
“In the movies, people almost never talked about the towns they spent their lives in; they ran around having adventures and never stopped to get their bearings. It was weird, when you thought about it. They only remembered where they were from if they wanted to complain about how awful it was there, or, later, to remember it as a place of infinite promise, a place whose light had been hidden from them until it became unrecoverable, at which point its gleam would become impossible to resist.”
John Darnielle, Universal Harvester

John Darnielle
“If you work with or around children, you often hear a lot about how resilient they are. It's true; I've met children who've been through things that would drive most adults to the brink. They look and act, most of the time, like any other children. In this sense – that they don't succumb to despair, that they don't demand a space for their pain – it's very true that children are resilient. But resiliency only means that a thing retains its shape. That it doesn't break, or lose its ability to function. It doesn't mean a child forgets the time she shared in the backyard with her mother gardening, or the fun they had together watching Bedknobs and Broomsticks at the Astro. It just means she learns to bear it. The mechanism that allowed Lisa Sample to keep her head above water in the wak of her mother's departure has not been described or cataloged by scientists. It's efficient, and flexible, and probably transferable from one person to another should they catch the scent on each other. But the rest of the details about it aren't observable from the outside. You have to be closer than you really want to get to see how it works.”
John Darnielle, Universal Harvester

John Darnielle
“There is no identifiable accent here unless you’ve cultivated a very careful ear. This is an easy place to live, milder in feel than Nebraska to the west, negligibly warmer in the winter than Minnesota to the north, of less imagined consequence to the world than Illinois to the east or Missouri to the south.”
John Darnielle, Universal Harvester

John Darnielle
“The wind comes across the plains not howling but singing. It's the difference between this wind and its big-city cousins: the full-throated wind of the plains has leeway to seek out the hidden registers of its voice. Where immigrant farmers planted windbreaks a hundred and fifty years ago. it keens in protest; where the young corn shoots up, it whispers as it passes, crossing field after field in its own time, following eastward trends but in no hurry to find open water. You can't usually see it in paintings, but it's an important part of the scenery.”
John Darnielle, Universal Harvester

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