Nick Gloaming

“When I look up, I see people cashing in. I don't see heaven or saints or angels. I see people cashing in on every decent impulse and every human tragedy.”
― Joseph Heller, Catch-22

“A destiny that leads the English to the Dutch is strange enough; but one that leads from Epsom into Pennsylvania, and thence into the hills that shut in Altamont over the proud coral cry of the cock, and the soft stone smile of an angel, is touched by that dark miracle of chance which makes new magic in a dusty world.

Each of us is all the sums he has not counted: subtract us into nakedness and night again, and you shall see begin in Crete four thousand years ago the love that ended yesterday in Texas.

The seed of our destruction will blossom in the desert, the alexin of our cure grows by a mountain rock, and our lives are haunted by a Georgia slattern, because a London cutpurse went unhung. Each moment is the fruit of forty thousand years. The minute-winning days, like flies, buzz home to death, and every moment is a window on all time.

This is a moment:”
― Thomas Wolfe, Look Homeward, Angel

“All this so that Marco Polo could explain or imagine explaining or be imagined explaining or succeed finally in explaining to himself that what he sought was always something lying ahead, and even if it was a matter of the past it was a past that changed gradually as he advanced on his journey, because the traveler's past changes according to the route he has followed: not the immediate past, that is, to which each day that goes by adds a day, but the more remote past. Arriving at each new city, the traveler finds again a past of his that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places.”
― Italo Calvino, Invisible Cities

“The trees were set close and from the perimeter of that parcel of land I could not see the school hidden within them. Look up here, I thought I heard someone say to me. When I did look up, I saw that the branches overhead were without leaves, and through their intertwining mesh the sky was fully visible. How bright and dark it was at the same time. Bright with a high, full moon shining among the spreading clouds, and dark with the shadows mingling within those clouds—a slowly flowing mass of mottled shapes, a kind of unclean outpouring from the black sewers of space.”
― Thomas Ligotti, Songs of a Dead Dreamer and Grimscribe