Nick Gloaming

“Everybody has a geography that can be used for change that is why we travel to far off places. Whether we know it or not we need to renew ourselves in territories that are fresh and wild. We need to come home through the body of alien lands.”
― Joan Halifax

“Our memory is a more perfect world than the universe; it gives life back to those who no longer exist.”
― Arkady Martine, A Memory Called Empire

“What is a pancake? Cooked batter, covered in sugar and butter. It is food. But it is not as food, not as sustenance that we crave the pancake. No, the pancake, or flapjack if you will, is a childish pleasure; smothered in syrup, buried beneath ice cream, the pancake symbolises our escape from respectability, eating as a form of infantile play. The environments where pancakes are served and consumed are, in this context, special playrooms for a public ravenous for sweetness, that delirious sweetness of long-ago breakfasts made by mother, sweetness of our infancy and our great, lost, toddler’s omnipotence. Look around. Notice, if you will, these lighting fixtures suspended from the ceiling like pretty mobiles over a crib. Notice the indestructible plastic orange seating materials designed to repel spills and stains. Notice these menus that unfold like colorful, laminated boards in those games we once played on rainy days at home, those unforgettable indoor days when we felt safe and warm, when we knew ourselves, absolutely, to be loved. We come to the Pancake House because we are hungry. We call out in our hearts to our mothers, and it is the Pancake House that answers. The Pancake House holds us! The Pancake House restores us to beloved infancy! The Pancake House is our mother in this motherless world!”
― Donald Antrim, The Verificationist

“All this so that Marco Polo could explain or imagine explaining or be imagined explaining or succeed finally in explaining to himself that what he sought was always something lying ahead, and even if it was a matter of the past it was a past that changed gradually as he advanced on his journey, because the traveler's past changes according to the route he has followed: not the immediate past, that is, to which each day that goes by adds a day, but the more remote past. Arriving at each new city, the traveler finds again a past of his that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places.”
― Italo Calvino, Invisible Cities