Nick Gloaming

“This sentence has five words. Here are five more words. Five-word sentences are fine. But several together become monotonous. Listen to what is happening. The writing is getting boring. The sound of it drones. It’s like a stuck record. The ear demands some variety. Now listen. I vary the sentence length, and I create music. Music. The writing sings. It has a pleasant rhythm, a lilt, a harmony. I use short sentences. And I use sentences of medium length. And sometimes, when I am certain the reader is rested, I will engage him with a sentence of considerable length, a sentence that burns with energy and builds with all the impetus of a crescendo, the roll of the drums, the crash of the cymbals–sounds that say listen to this, it is important.”
― Gary Provost

“One of the sturdiest precepts of the study of human delusion is that every golden age is either past or in the offing.”
― Michael Chabon, The Amazing Adventures of Kavalier & Clay

“The trees were set close and from the perimeter of that parcel of land I could not see the school hidden within them. Look up here, I thought I heard someone say to me. When I did look up, I saw that the branches overhead were without leaves, and through their intertwining mesh the sky was fully visible. How bright and dark it was at the same time. Bright with a high, full moon shining among the spreading clouds, and dark with the shadows mingling within those clouds—a slowly flowing mass of mottled shapes, a kind of unclean outpouring from the black sewers of space.”
― Thomas Ligotti, Songs of a Dead Dreamer and Grimscribe

“All this so that Marco Polo could explain or imagine explaining or be imagined explaining or succeed finally in explaining to himself that what he sought was always something lying ahead, and even if it was a matter of the past it was a past that changed gradually as he advanced on his journey, because the traveler's past changes according to the route he has followed: not the immediate past, that is, to which each day that goes by adds a day, but the more remote past. Arriving at each new city, the traveler finds again a past of his that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places.”
― Italo Calvino, Invisible Cities