Steve Middendorf

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The Nights Are Qu...
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The Weight of Ink
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by Rachel Kadish (Goodreads Author)
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"It was getting late, time for me to put away the book for the night. I just couldn’t do it. Luckily the author gave me a spot with 10% to go where the heroines were safe both now and then. I could sleep." Feb 20, 2026 03:11PM

 
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Mathias Énard
“I light a cigarette to put off the journey till later / To put off all journeys till later / To put off the entire universe till later.” The entire universe is in a bookcase, no need to go out: what’s the point of leaving the Tower, said Hölderlin, the end of the world has already taken place, no reason to go experience it yourself; you linger, your fingernail between two pages (so soft, so creamy) where Álvaro de Campos, the engineer dandy, becomes more real than Pessoa, his flesh-and-blood double. Great are the deserts and everything is desert.”
Mathias Énard, Compass

Esi Edugyan
“kidnappers generally roamed the coast, and in the rainy, grey dusk they would stun a freed man in the street and drag him half-conscious onto a ship bound for the Southern states, to make of him a slave again. This was not the only hazard, though it was the worst of them. White men were everywhere aggrieved, and they would sometimes rise up against us black devils, the miserable black scourge who would destroy their livelihood by labouring at cheaper rates.”
Esi Edugyan, Washington Black

“Who has the rights to the story of a place? Are these rights earned, bought, fought and died for? Or are they given? Are they automatic, like an assumption? Self-renewing? Are these rights a token of citizenship belonging to those who stay in the place or to those who leave and come back to it? Does the act of leaving relinquish one’s rights to the story of a place? Who stays gone? Who can afford to return?”
Sarah M. Broom, The Yellow House

Giacomo Leopardi
“Passions, deaths, storms, etc., give us great pleasure in spite of their ugliness for the simple reason that they are well imitated, and if what Parini says in his Oration on poetry1 is true, this is because man hates nothing more than he does boredom, and therefore he enjoys seeing something new, however ugly.”
Giacomo Leopardi, Zibaldone

Giacomo Leopardi
“he is one of those good teachers who “are capable of retracing in detail, and holding accurately in their minds the origins, progress, mode of development, in short, the history of their own notions and thoughts, their knowledge and their intellect” (Z 1376).”
Giacomo Leopardi, Zibaldone

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