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Billionaire Wilde...
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F. Scott Fitzgerald
“I couldn’t forgive him or like him, but I saw that what he had done was, to him, entirely justified. It was all very careless and confused. They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness, or whatever it was that kept them together, and let other people clean up the mess they had made.”
F. Scott Fitzgerald, The Great Gatsby

Elif Batuman
“It went on like that all day: the previous night replaying over and over, seeming to confer a kind of weighted legitimacy onto all the routine, boring parts of the day, making me feel like I was in a movie. Why was it that, when you got to a routine or boring scene in a movie, you didn’t panic or despair? In a movie, the number, duration, and meaning of scenes were determined in advance. You just had to wait it out. Theoretically, I supposed, this was true of real life—certainly, the number and duration of scenes weren’t infinite—but there was always the chance it would just end without anything meaningful happening at all.”
Elif Batuman, Either/Or

Elif Batuman
“Now we already lived in different buildings, and soon we would live even farther away from each other, and she would be married, and I would never wait for her in her bedroom again. How brief and magical it was that we all lived so close to each other and went in and out of each other’s rooms, and our most important job was to solve mysteries.”
Elif Batuman, Either/Or

Elif Batuman
“How unjust it was, when people treated the actual as limiting proof of the possible! I felt that this was what I was fighting against, and always had been: the tyranny of the particular, arbitrary way that things happened to have turned out.”
Elif Batuman, Either/Or

Elif Batuman
“Was this the decisive moment of my life? It felt as if the gap that had dogged me all my days was knitting together before my eyes— so that, from this point on, my life would be as coherent and meaningful as my favorite books. At the same time, I had a powerful sense of having escaped something: of having finally stepped outside of the script.”
Elif Batuman, Either/Or

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