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Echopraxia
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by Peter Watts (Goodreads Author)
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The Hidden Girl a...
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by Ken Liu (Goodreads Author)
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The Subtle Knife
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Reading for the 2nd time
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Ursula K. Le Guin
“Everything dreams. The play of form, of being, is the dreaming of substance. Rocks have their dreams, and the earth changes....”
Ursula K. Le Guin, The Lathe of Heaven

John McPhee
“A million years is a short time - the shortest worth messing with for most problems. You begin tuning your mind to a time scale that is the planet's time scale. For me, it is almost unconscious now and is a kind of companionship with the earth.”
John McPhee, Basin and Range

Stephen Jay Gould
“The idea of decimation as a lottery converts the new iconography of the Burgess Shale into a radical view about the pathways of life and the nature of history. ... May our poor and improbable species find joy in its new-found fragility and good fortune! Wouldn't anyone with the slightest sense of adventure, or the most weakly flickering respect for intellect, gladly exchange the old cosmic comfort for a look at something so weird and wonderful - yet so real - as *Opabinia*?”
Stephen Jay Gould, Wonderful Life: The Burgess Shale and the Nature of History

Jack Kerouac
“His relationship with his wife was one of the strangest: they talked till late at night; Bull liked to hold the floor, he went right on in his dreary monotonous voice, she tried to break in, she never could; at dawn he got tired and then Jane talked and he listened, snuffing and going thfump down his nose. She loved that man madly, but in a delirious way of some kind; there was never any mooching and mincing around, just talk and a very deep companionship that none of us would ever be able to fathom. Something curiously unsympathetic and cold between them was really a form of humor by which they communicated their own set of subtle vibrations. Love is all; Jane was never more than ten feet away from Bull and never missed a word he said, and he spoke in a very low voice, too.”
Jack Kerouac, On the Road

Bram Stoker
“Keep it always with you that laughter who knock at your door and say, 'May I come in?' is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say, 'I am here.' ... Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall - all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.”
Bram Stoker, Dracula

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