Thalia

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The Thursday Murd...
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The White Album
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  (page 84 of 224)
Jul 07, 2024 02:21AM

 
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Geena Davis
“He began teaching me the basics of technique but put equal emphasis on the mental game. He taught me that the vital key was the ability to let go of the outcome. You must be able to repeat the best version of your shot as many times as you can, exactly the same way. Any shot where your try harder, which he referred to as the 'fancy shot' will throw off your technique. Even if you're down to the last arrow to win the gold medal you have to think of it as just another shot, rather than trying for an extra good shot. You can't be invested in the outcome. Just take the shot.”
Geena Davis, Dying of Politeness: A Memoir

Raynor Winn
“I knew then that I was one with everything, the worms in the soil, clouds in the sky; I was part of it all, within everything. The wild was never something to fear or hide from. It was my safe place, the thing I ran to.”
Raynor Winn, The Salt Path

Joan Didion
“Outside the Miramar Hotel in Santa Monica a hard subtropical rain had been falling for days. It has scaled more paint from the faded hotels and rooming houses... It streamed down the blank windows of unleased offices, loosened the soft coastal cliffs and heightened the most characteristic Santa Monica affect, that air of dispirited abandon which suggests that the place survives only as an illustration of a boom gone bankrupt.”
Joan Didion,

Raynor Winn
“Only one thing was real, more real to me now than the past that we’d lost or the future we didn’t have: if I put one foot in front of the other, the path would move me forward and a strip of dirt, often no more than a foot wide, had become home. It wasn’t just the chill in the air, the lowering of the sun’s horizon, the heaviness of the dew or the lack of urgency in the birds’ calls, but something in me was changing season too. I was no longer striving, fighting to change the unchangeable, not clenching in anxiety at the life we’d been unable to hold on to, or angry at an authoritarian system too bureaucratic to see the truth. A new season had crept into me, a softer season of acceptance. Burned in by the sun, driven in by the storm. I could feel the sky, the earth, the water and revel in being part of the elements without a chasm of pain opening at the thought of the loss of our place within it all. I was a part of the whole. I didn’t need to own a patch of land to make that so. I could stand in the wind and I was the wind, the rain, the sea; it was all me, and I was nothing within it. The core of me wasn’t lost. Translucent, elusive, but there and grown stronger with every headland.”
Raynor Winn, The Salt Path

Raynor Winn
“We lay on our backs on hot sand and baked in the sun. Salt-crusted, preserved. Later, in the darkness of the green dome I felt his hand brush against my thigh, and with it the same electric pulse of need there had always been. Silence descended; everything stopped; I didn’t move, afraid to ignite a want that wouldn’t be satisfied, or lose a hope I’d held on to forever. He hesitated for a long moment, his hand stretching hot against my cold skin, a moment that hung between us in an unanswered question.

Days passed. Clouds moved in from the south-west, white rolling cumuli disappearing inland. Winds changed direction: damp and light from the west; dry and cooling from the east; colder from the north-west, carrying hints of another season soon behind; then gently from the south, summer not quite yet spent. The heat reflected off the flat rocks, less jagged than those that surrounded them in the cove. We dried clothes on them, sat the stove flat on them to cook limpets, cracked an egg on them in the hope that it might fry, but when it didn’t, scraped it up and scrambled it, picking out bits of sand and grit. We lay on them, crisping to leathery brown. Bodies that fourteen months earlier were hunched and tired, soft and pale, were now lean and tanned, with a refound muscularity that we’d thought lost forever. Our hair was fried and falling out, our nails broken, clothes worn to a thread, but we were alive. Not just breathing through the thirty thousand or so days between life and death, but knowing each minute as it passed, swirling around in an exploration of time. The rock gave back the heat as it followed the arc of the sun, gulls called in differing tones as the tide left the shore and then returned, my hands wrinkled with age and my thighs changed to a new shape with passing miles, but when he pulled me to him and kissed me with an urgency that wasn’t in doubt, with a fervour that wouldn’t fail, time turned. I was ten million minutes and nineteen years ago, I was in the bus stop about to go back to his house, knowing his parents weren’t home, I was a mother of toddlers stealing moments in a walk-in wardrobe, we were us, every second of us, a long-marinated stew of life’s ingredients. We were everything we wanted to be and everything we didn’t. And we were free, free to be all those things, and stronger because of them. Skin on longed-for skin, life could wait, time could wait, death could wait. This second in the millions of seconds was the only one, the only one that we could live in. I was home, there was nothing left to search for, he was my home.”
Raynor Winn, The Salt Path

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