Jamble

“There is no art form more intrinsically and blatantly American—in its casual violence, its bombastic braggadocio, its virulent jingoism, its populist defiance of respectability, and its intermittently awe-inspiring beauty—than professional wrestling. This lucrative enterprise is not a legitimate competition, but it is indisputably an expression of creativity. Its practitioners have a time-worn saying: “This ain’t ballet.” But it’s not that far from ballet: a kinetic method of storytelling, one that requires tremendous skill (and physical pain) to perform.”
― Abraham Riesman, Ringmaster: Vince McMahon and the Unmaking of America

“We want to imagine that people are consistent, steady, stable. We define who they are, create descriptions to lock them on a page, divide them up by their likes, talents, beliefs. Then we pretend some—perhaps most—are better than we are, because they stick to their definitions, while we never quite fit ours. Truth is, people are as fluid as time is. We adapt to our situation like water in a strangely shaped jug, though it might take us a little while to ooze into all the little nooks. Because we adapt, we sometimes don’t recognize how twisted, uncomfortable, or downright wrong the container is that we’ve been told to inhabit.”
― Brandon Sanderson, Tress of the Emerald Sea

“Everyone shut up and listen!” Steris snapped. “Or I will barf on the table to get your attention!” The entire room stared at her. “I’ll do it,” she warned. “I keep medication in my handbag to produce the effect. You’d be surprised at how often the option is relevant.”
― Brandon Sanderson, The Lost Metal

“City folk, particularly politicians, were intimidated by small arms. They preferred to kill people with more modern weapons, like poverty and despair.”
― Brandon Sanderson, The Lost Metal