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“Being born a woman is my awful tragedy. From the moment I was conceived I was doomed to sprout breasts and ovaries rather than penis and scrotum; to have my whole circle of action, thought and feeling rigidly circumscribed by my inescapable feminity. Yes, my consuming desire to mingle with road crews, sailors and soldiers, bar room regulars--to be a part of a scene, anonymous, listening, recording--all is spoiled by the fact that I am a girl, a female always in danger of assault and battery. My consuming interest in men and their lives is often misconstrued as a desire to seduce them, or as an invitation to intimacy. Yet, God, I want to talk to everybody I can as deeply as I can. I want to be able to sleep in an open field, to travel west, to walk freely at night...”
― The Unabridged Journals of Sylvia Plath
― The Unabridged Journals of Sylvia Plath
“You can still die when the sun is shining.”
― A Portrait of the Artist as a Young Man
― A Portrait of the Artist as a Young Man
“It's like Tolstoy said. Happiness is an allegory, unhappiness a story.”
― Kafka on the Shore
― Kafka on the Shore
“...the secret of the Great Stories is that they have no secrets. The Great Stories are the ones you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don’t deceive you with thrills and trick endings. They don’t surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover’s skin. You know how they end, yet you listen as though you don’t. In the way that although you know that one day you will die, you live as though you won’t. In the Great Stories you know who lives, who dies, who finds love, who doesn’t. And yet you want to know again.
That is their mystery and their magic.”
― The God of Small Things
That is their mystery and their magic.”
― The God of Small Things
“It was inevitable: the scent of bitter almonds always reminded him of the fate of unrequited love. Dr. Juvenal Urbino noticed it as soon as he entered the still darkened house where he has hurried on an urgent call to attend a case that for him had lost all urgency many years before. The Antillean refugee Jeremiah de Saint-Amour, disabled war veteran, photographer of children, and his most sympathetic opponent in chess, had escaped the torments of memory with the aromatic fumes of gold cyanide.”
― Love in the Time of Cholera
― Love in the Time of Cholera
hamda’s 2025 Year in Books
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