“I don’t know what will be left of me fifty years from now. I suspect that all films will have aged terribly and that the cinema probably won’t even exist anymore. My guess is that the final disappearance of cinemas will take place around the year 2020, so in fifty years’ time, there will be nothing but television.”
―
―
“A Draft of Shadows'
desire turns us into ghosts.
We are vines of air on trees of wind,
a cape of flames
invented and devoured by flame.
The crack in the tree trunk:
sex, seal, serpentine passage
closed to the sun and to my eyes,
open to the ants.
That crack was the portico
of the furthest reaches of the seen and thought:
—there, inside, tides are green,
blood is green, fire green,
green stars burn in the black grass:
the green music of elytra
in the fig tree's pristine night;
—there, inside, fingertips are eyes,
to touch is to see, glances touch,
eyes hear smells;
—there, inside is outside,
it is everywhere and nowhere,
things are themselves and others,
imprisoned in an icosahedron
there is a music weaver beetle
and another insect unweaving
the syllogisms the spider weaves,
hanging from the threads of the moon;
—there, inside, space
is an open hand, a mind
that thinks shapes, not ideas,
shapes that breathe, walk, speak, transform
and silently evaporate;
—there, inside, land of woven echoes,
a slow cascade of light drops
between the lips of the crannies:
light is water; water, diaphanous time
where eyes wash their images;
—there, inside, cables of desire”
― A Draft of Shadows and Other Poems
desire turns us into ghosts.
We are vines of air on trees of wind,
a cape of flames
invented and devoured by flame.
The crack in the tree trunk:
sex, seal, serpentine passage
closed to the sun and to my eyes,
open to the ants.
That crack was the portico
of the furthest reaches of the seen and thought:
—there, inside, tides are green,
blood is green, fire green,
green stars burn in the black grass:
the green music of elytra
in the fig tree's pristine night;
—there, inside, fingertips are eyes,
to touch is to see, glances touch,
eyes hear smells;
—there, inside is outside,
it is everywhere and nowhere,
things are themselves and others,
imprisoned in an icosahedron
there is a music weaver beetle
and another insect unweaving
the syllogisms the spider weaves,
hanging from the threads of the moon;
—there, inside, space
is an open hand, a mind
that thinks shapes, not ideas,
shapes that breathe, walk, speak, transform
and silently evaporate;
—there, inside, land of woven echoes,
a slow cascade of light drops
between the lips of the crannies:
light is water; water, diaphanous time
where eyes wash their images;
—there, inside, cables of desire”
― A Draft of Shadows and Other Poems
“Reality
is always at the edge of the abyss,
hung from the thread of a thought.”
― A Draft of Shadows and Other Poems
is always at the edge of the abyss,
hung from the thread of a thought.”
― A Draft of Shadows and Other Poems
“Light is time reflecting on time.”
― A Draft of Shadows and Other Poems
― A Draft of Shadows and Other Poems
“We humans don’t like uncertainty, so we are attracted to those who offer clarity and simple answers, even if the answers are wrong or incomplete. Master Persuaders can thrive in chaotic environments by offering the clarity people crave. And if an environment is not chaotic already, a skilled persuader who understands both social media and the news business can easily stir the pot to create an advantage through chaos. Candidate Trump was a champion of this method.”
― Win Bigly: Persuasion in a World Where Facts Don't Matter
― Win Bigly: Persuasion in a World Where Facts Don't Matter
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