“My soul is like a pawn shop. I mean it's filled with unredeemed pleasures, old clarinets, and cameras, and motheaten fur.”
― Henderson the Rain King
― Henderson the Rain King
“Adam Nicolson has written of the 'powerful absence[s]' that remembered landscapes exert upon us, but they exist as powerful presences too, with which we maintain deep and abiding attachments. These, perhaps, are the landscapes in which we live the longest,warped though they are by time and abraded though they are by distance”
― The Old Ways: A Journey on Foot
― The Old Ways: A Journey on Foot
“Paths are the habits of a landscape. They are acts of consensual making. It's hard to create a footpath on your own...Paths connect. This is their first duty and their chief reason for being. They relate places in a literal sense, and by extension they relate people.
Paths are consensual, too, because without common care and common practice they disappear: overgrown by vegetation, ploughed up or built over (through they may persist in the memorious substance of land law). Like sea channels that require regular dredging to stay open, paths NEED walking.”
― The Old Ways: A Journey on Foot
Paths are consensual, too, because without common care and common practice they disappear: overgrown by vegetation, ploughed up or built over (through they may persist in the memorious substance of land law). Like sea channels that require regular dredging to stay open, paths NEED walking.”
― The Old Ways: A Journey on Foot
“Reality
is always at the edge of the abyss,
hung from the thread of a thought.”
― A Draft of Shadows and Other Poems
is always at the edge of the abyss,
hung from the thread of a thought.”
― A Draft of Shadows and Other Poems
“A Draft of Shadows'
desire turns us into ghosts.
We are vines of air on trees of wind,
a cape of flames
invented and devoured by flame.
The crack in the tree trunk:
sex, seal, serpentine passage
closed to the sun and to my eyes,
open to the ants.
That crack was the portico
of the furthest reaches of the seen and thought:
—there, inside, tides are green,
blood is green, fire green,
green stars burn in the black grass:
the green music of elytra
in the fig tree's pristine night;
—there, inside, fingertips are eyes,
to touch is to see, glances touch,
eyes hear smells;
—there, inside is outside,
it is everywhere and nowhere,
things are themselves and others,
imprisoned in an icosahedron
there is a music weaver beetle
and another insect unweaving
the syllogisms the spider weaves,
hanging from the threads of the moon;
—there, inside, space
is an open hand, a mind
that thinks shapes, not ideas,
shapes that breathe, walk, speak, transform
and silently evaporate;
—there, inside, land of woven echoes,
a slow cascade of light drops
between the lips of the crannies:
light is water; water, diaphanous time
where eyes wash their images;
—there, inside, cables of desire”
― A Draft of Shadows and Other Poems
desire turns us into ghosts.
We are vines of air on trees of wind,
a cape of flames
invented and devoured by flame.
The crack in the tree trunk:
sex, seal, serpentine passage
closed to the sun and to my eyes,
open to the ants.
That crack was the portico
of the furthest reaches of the seen and thought:
—there, inside, tides are green,
blood is green, fire green,
green stars burn in the black grass:
the green music of elytra
in the fig tree's pristine night;
—there, inside, fingertips are eyes,
to touch is to see, glances touch,
eyes hear smells;
—there, inside is outside,
it is everywhere and nowhere,
things are themselves and others,
imprisoned in an icosahedron
there is a music weaver beetle
and another insect unweaving
the syllogisms the spider weaves,
hanging from the threads of the moon;
—there, inside, space
is an open hand, a mind
that thinks shapes, not ideas,
shapes that breathe, walk, speak, transform
and silently evaporate;
—there, inside, land of woven echoes,
a slow cascade of light drops
between the lips of the crannies:
light is water; water, diaphanous time
where eyes wash their images;
—there, inside, cables of desire”
― A Draft of Shadows and Other Poems
Floyd’s 2025 Year in Books
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