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The Ariadne Objec...
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The Somme
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by Peter Hart (Goodreads Author)
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Alexandra Horowitz
“A walk is exploring surfaces and textures with finger, toe, and—yuck—tongue; standing still and seeing who or what comes by; trying out different forms of locomotion (among them running, marching, high-kicking, galloping, scooting, projectile falling, spinning, and noisy shuffling). It is archeology: exploring the bit of discarded candy wrapper; collecting a fistful of pebbles and a twig and a torn corner of a paperback; swishing dirt back and forth along the ground. It is stopping to admire the murmuring of the breeze in the trees; locating the source of the bird’s song; pointing. Pointing!— using the arm to extend one’s fallen gaze so someone else can see what you’ve seen. It is a time of sharing. On our block,”
Alexandra Horowitz, On Looking: A Walker's Guide to the Art of Observation

James P. Carse
“It is, therefore, this fluidity that presents us with an unavoidable challenge: how to contain the serious within the truly playful; that is, how to keep all our finite games in infinite play.”
James P. Carse, Finite and Infinite Games

Rachel Joyce
“she’d stuffed the boots beneath the mattress where she couldn’t see them, but it isn’t easy hiding something from yourself—ideally you need to be out of the room when you do it”
Rachel Joyce, Miss Benson's Beetle

Anita Desai
“Reality is merely one-tenth visible section of the iceberg that one sees above the surface of the ocean - art remaining nine-tenths of it that lies below the surface. That is why it is more near Truth than Reality itself. Art does not merely reflect Reality - it enlarges it.”
Anita Desai

James P. Carse
“Just as the warmakers of Europe regularly melted down the bells to recast them into cannon, the metaphysicians have found the meaning of their myths and announced those meanings without their narrative resonance.”
James P. Carse, Finite and Infinite Games

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