Nico

“THE FORTRESS

Under the pink quilted covers
I hold the pulse that counts your blood.
I think the woods outdoors
are half asleep,
left over from summer
like a stack of books after a flood,
left over like those promises I never keep.
On the right, the scrub pine tree
waits like a fruit store
holding up bunches of tufted broccoli.

We watch the wind from our square bed.
I press down my index finger --
half in jest, half in dread --
on the brown mole
under your left eye, inherited
from my right cheek: a spot of danger
where a bewitched worm ate its way through our soul
in search of beauty. My child, since July
the leaves have been fed
secretly from a pool of beet-red dye.

And sometimes they are battle green
with trunks as wet as hunters' boots,
smacked hard by the wind, clean
as oilskins. No,
the wind's not off the ocean.
Yes, it cried in your room like a wolf
and your pony tail hurt you. That was a long time ago.
The wind rolled the tide like a dying
woman. She wouldn't sleep,
she rolled there all night, grunting and sighing.

Darling, life is not in my hands;
life with its terrible changes
will take you, bombs or glands,
your own child at
your breast, your own house on your own land.
Outside the bittersweet turns orange.
Before she died, my mother and I picked those fat
branches, finding orange nipples
on the gray wire strands.
We weeded the forest, curing trees like cripples.

Your feet thump-thump against my back
and you whisper to yourself. Child,
what are you wishing? What pact
are you making?
What mouse runs between your eyes? What ark
can I fill for you when the world goes wild?
The woods are underwater, their weeds are shaking
in the tide; birches like zebra fish
flash by in a pack.
Child, I cannot promise that you will get your wish.

I cannot promise very much.
I give you the images I know.
Lie still with me and watch.
A pheasant moves
by like a seal, pulled through the mulch
by his thick white collar. He's on show
like a clown. He drags a beige feather that he removed,
one time, from an old lady's hat.
We laugh and we touch.
I promise you love. Time will not take away that.”
― Anne Sexton, Selected Poems

“All the beautiful waitresses existed like eternal responsibilities.”
― Spalding Gray, The Journals of Spalding Gray

“(Can human beings change? The humor, and the sadness, of remarriage comedies can be said to result from the fact that we have no good answer to that question.)”
― Stanley Cavell, Pursuits of Happiness: The Hollywood Comedy of Remarriage

“From Orient Point

The art of living isn't hard to muster:
Enjoy the hour, not what it might portend.
When someone makes you promises, don't trust her

unless they're in the here and now, and just her
willing largesse free-handed to a friend.
The art of living isn't hard to muster:

groom the old dog, her coat gets back its luster;
take brisk walks so you're hungry at the end.
When someone makes you promises, don't trust her

to know she can afford what they will cost her
to keep until they're kept. Till then, pretend
the art of living isn't hard to muster.

Cooking, eating and drinking are a cluster
of pleasures. Next time, don't go round the bend
when someone makes you promises. Don't trust her

past where you'd trust yourself, and don't adjust her
words to mean more to you than she'd intend.
The art of living isn't hard to muster.

You never had her, so you haven't lost her
like spare house keys. Whatever she opens,
when someone makes you promises, don't. Trust your
art; go on living: that's not hard to muster.”
― Marilyn Hacker