Robin

“When the Dark comes rising six shall turn it back;
Three from the circle, three from the track;
Wood, bronze, iron; Water, fire, stone;
Five will return and one go alone.

Iron for the birthday; bronze carried long;
Wood from the burning; stone out of song;
Fire in the candle ring; water from the thaw;
Six signs the circle and the grail gone before.

Fire on the mountain shall find the harp of gold
Played to wake the sleepers, oldest of old.
Power from the Green Witch, lost beneath the sea.
All shall find the Light at last, silver on the tree.”
― Susan Cooper, The Dark Is Rising Sequence

“Gormenghast, that is, the main massing of the original stone, taken by itself would have displayed a certain ponderous architectural quality were it possible to have ignored the circumfusion of those mean dwellings that swarmed like an epidemic around its outer walls. They sprawled over the sloping arch, each one half way over its neighbour until, held back by the castle ramparts, the innermost of these hovels laid hold on the great walls, clamping themselves thereto like limpets to a rock. These dwellings, by ancient law, were granted this chill intimacy with the stronghold that loomed above them. Over their irregular roofs would fall throughout the seasons, the shadows of time-eaten buttresses, of broken and lofty turrets, and, most enormous of all, the shadow of the Tower of Flints. This tower, patched unevenly with black ivy, arose like a mutilated finger from among the fists of knuckled masonry and pointed blasphemously at heaven. At night the owls made of it an echoing throat; by day it stood voiceless and cast its long shadow.”
― Mervyn Peake, Titus Groan

“Imagine a man who stands before a mirror; a stone strikes it, and it falls to ruin all in an instant. And the man learns that he is himself, and not the mirrored man he had believed himself to be.”
― Gene Wolfe, The Urth of the New Sun

“I have come to believe that the whole world is an enigma, a harmless enigma that is made terrible by our own mad attempt to interpret it as though it had an underlying truth.”
― Umberto Eco, Foucault’s Pendulum