Status Updates From The Rhyl Poster

‘—poured-epoxy membrane of its floor was luminescent—gelatinous—tautly stretched—like perfectly set jelly—artificial birdsong playing on a loop—they outsourced for outsourcing’s sake,—subcontractor outsourced too, till nobody knew any more who was controlling what—They were courteous, friendly—in the variation—tones they used to speak—a coordinate—within some grid or schema of class and ethnicity—Boulevard Voltaire.’