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The Last Supper by
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san ✿
is on page 147 of 256
it is possible to look at a painting and not see anything at all. there must be an offering of the self before the painting will open.
— Dec 26, 2025 01:33PM
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Ilse
is on page 200 of 256
It strikes me that the glory of art is the glory of survival, for survival is an inhuman property. It is an attribute of mountains and objects, of the worthless toys in the children's bedroom at home that will outlive us all. That which is human decays and disappears: only in art does the quality of humanity favour survival. Only in art is a record kept of an instant, that the next instant doesn't erase.
— Dec 20, 2025 05:58AM
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Ilse
is on page 194 of 256
I am thinking about the future, though these thoughts are wordless and indistinct.. They are like running water, they pour towards an edge, a precipice,and tumble over the side. I don't want to go home Life could become flat again. It is desire that is big and grand and treacherous; desire, not life.
— Dec 20, 2025 05:55AM
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Ilse
is on page 187 of 256
We turn to art to dignify our eexperience of the world;to find a reply to the question of consciousness.But I, too, have a qualm about the Fra Angelicos, the Peruginos.It is that they belong to the past.Their reality is so remote from our own:I fear to look at them is a form of nostalgia.I fear the feeling of sadness they cause me, sadness that our own world is not more beautiful.
(paradoxical thought, if you ask me)
— Dec 20, 2025 05:34AM
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(paradoxical thought, if you ask me)
Ilse
is on page 140 of 256
In England,I became increasingly sure that to possess sth was to arrest knowledge of it, because the thing itself is no longer free. For me the pain of knowledge is a tonic, an antidote to the pall of possession.But there is an element of death in knowledge.Knowledge is what remains to the human mind once the possession has been lost.Its presence is painful,because it signifies that what was known is no longer there.
— Dec 20, 2025 02:01AM
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