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What Horkheimer stated here was said on the basis of his knowledge of the ‘dark’ writers of the bourgeois period, whom he thought so much of, and it was more or less independent of any particular scientific research.

Adorno approached Kierkegaard’s work in his Habilitation thesis in the same way that Benjamin had approached Goethe’s Elective Affinities'. with a destructive critical attitude which attempted to preserve what could be saved.

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