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郑樱桃居然翻译成Cherry Zhen吗。。。

Sorry but I can't think of a single person who would translate 清明 to "pure brightness". This is such ridiculous translation lmao

The translations of cited texts are so unserious LMAO

"La Veneziana" is unusually captivating (compared to other stories that preceded it in this anthology)

I'm tearing my hair out Fergus Wolff and Mortimer Cropper can't win AARGHHAGHWAHH

I feel that I who is intrinsically quite impatient am tamed for a while by the patience and quiet of the writing

Indeed the extent of agency exercised by the dan actors is debated because are they truly completely a reflextion of literati's sexual taste

I wonder if author will address the gender-nonconformality or transness of the dan-s, which is nonconsensual gnc in many cases of course

“勋还年轻，他的嘴唇尚未接触过任何人的嘴唇。他用嘴唇所具有的所有最微妙的感觉，微微接触了枯萎的百合花瓣儿。”

"But the following passage, marked with rare psychological depth, from Marcault and Therese Brosse's excellent work, will help us to determine the main theme: 'Forests, especially, with the mystery of their space prolonged indefinitely beyond the veil of tree-trunks and leaves, space that is veiled for our eyes but transparent to action, are veritable psychological transcendents.'"

This is definitely more like a detective and mob violence story than what the synopsis led me to believe.. Thought it was like Flesh + Blood (1985)

The moral, religious this-and-that bocomes grating without the wild and free thinking.. It's not that they're even favorably depicted I just can't stand it lol

The entire chapter of Addie is breathtakingly beautiful, I tried to highlight and quote some passages but all of it is simply too stunning

"If need be, mere absurdity can be a source of freedom."

"But my mother is a fish. Vernon seen it. He was there,
'Jewel's mother is a horse,' Darl said.
'Then mine will have to be a horse, too.' I said.
Jewel is my brother.
'Then mine will have to be a horse, too,' I said.
'Why?' Darl said. 'If pa is your pa, why does your ma have to be a horse just because Jewel's is?'
'Why does it?' I said. 'Why does it, Darl?'
Darl is my brother.
'Then what is your ma, Darl?' I said.

"How often have I lain beneath rain on a strange roof, thinking of home."

Faulkner uses words with such a swift intuitive waywardness that just makes sense.

"She watches me: I can feel her eyes. It's like she was shoving at me with them. I have seen it before in women. Seen them drive from the room them coming with sympathy and pity, with actual help, and clinging to some trifling animal to whom they never were more than pack-horses. That's what they mean by the love that passeth understanding: that pride, that furious desire to hide that abject nakedness which we bring

"The child has just discovered that she is herself, in an explosion toward the outside, which is a reaction, perhaps, to certain concentrations in a corner of her being. For the recess in the boat is also a corner of being. But when she has explored the vast universe of the boat in the middle of the ocean, does she return to her little house? Now that she knows that she is herself,

I truly think I might like this even better than The Sound and The Fury

Interesting portrayal of the Burdens because even their sentiments which were anti-slavery and pro-human rights had the rationalization of religious fanaticism and racism

Wingstroke is quite a gripping story. Saw somewhere it's meant to be a fragment for a much longer story and that's perhaps right

"She trotted clumsily, an animal impeded by that which distinguished her from animals: her heels, her clothes, her smallness."

"To another they must have looked like two monks met during the hour of contemplation in a garden path."

I do think Faulkner is the kind of author that makes me feel like 'Ah he's great... so great... and so many authors I've read before have shadows parts of him in them. And I'm glad I read him now instead of sooner because I might not have been able to appreciate him.'

"Perhaps he expected to be punished upon his return, for what, what crime exactly, he did not expect to know, since he had already learned that, though children can accept adults as adults, adults can never accept children as anything but adults too."

"Memory believes before knowing remembers. Believes longer than recollects, longer than knowing even wonders. Knows remembers believes a corridor in a big long garbled cold echoing building of dark red brick sootbleakened by more chimneys than its own, set in a grassless cinderstrewnpacked compound surrounded by smoking factory purlieus and enclosed by a ten foot steel-and-wire fence like a penitentiary or a zoo,

In an ideal world Medraut Lleu and Goewin live together as a throuple