The plot is engaging, I like the unapologetic snobbery, and this certainly has less of an over-explaining problem compared to her other books, but what is this dry ass writing? How are you citing Susanna Clarke, Vladimir Nabokov, and Kazuo Ishiguro as influences and then write such soulless, sanitized prose? It comes across as shameless pandering to her Swiftie-like audience: simplify and it will sell, and so it does
— May 14, 2026 08:14AM
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