Pariap’s Reviews > Água Viva > Status Update

“I got used to painting, delving into the intimate nature of things. But now the time to stop painting has come in order to remake myself, I remake myself in these lines. I have a voice. As I throw myself into the line of my drawing, this is an exercise in life without planning. The world has no visible order and all I have is the order of my breath. I let myself happen.”

What you will know of me is the shadow of the arrow that has hit its target.

I then fear myself who knows how to paint the horror, I, creature of echoing caverns that I am, and I suffocate because I am word and also its echo.

I enter the writing slowly as I once entered painting. It is a world tangled up in creepers, syllables, woodbine, colors and words—threshold of an ancestral cavern that is the womb of the world and from it I shall be born.

I’m entering a very new and genuine chapter, curious about itself, so appealing and personal that I can’t paint it or write it. It’s like moments I had with you, when I would love you, moments I couldn’t go past because I descended into their depths.

“writing I can’t manufacture something as in painting, when I use my craft to mix a color. But I’m trying to write to you with my whole body, loosing an arrow that will sink into the tender and neuralgic centre of the word.[…] I don’t paint ideas, I paint the unattainable “forever.” Or “for never,” it amounts to the same.”

Michel Seuphor: “There must be a painting totally free of dependence on the figure—or object—which, like music, illustrates nothing, tells no story, and launches no myth. Such painting would simply evoke the incommunicable kingdoms of the spirit, where dream becomes thought, where line becomes existence.”