AC’s Reviews > Painting and Sculpture in Europe: 1880-1940 > Status Update

AC
AC is on page 75 of 443
A bit dry and academic - but still illuminating; and I am certainly learning from it. I am almost up to the section where he begins to discuss early Picasso. I understand now (finally), e.g., why Gauguin is considered a "Symbolist". GHH presupposes familiarity with the artists he discusses. There is a generous collection of plates in the back of the book, but they are in black and white, and not always helpful.
Jan 03, 2011 06:14PM
Painting and Sculpture in Europe: 1880-1940

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AC’s Previous Updates

AC
AC is on page 53 of 443
Dec 30, 2010 07:08PM
Painting and Sculpture in Europe: 1880-1940


AC
AC is on page 20 of 443
Very slow, and very rich. Modernism entails the substitution of substance with flux, being with beoming...; the rejection of Aristotle, and the replacement of him with Whitehead. When I have the time to develop this idea at greater length, it will make more sense (I trust) and will prove to be a critical insight. Meanwhile, a very good book, though quite abstract.
Dec 29, 2010 03:44PM
Painting and Sculpture in Europe: 1880-1940


AC
AC is on page 13 of 443
Very rich, nuanced, textured, mature..., I am reading it through - and between - the raindrops...
Dec 27, 2010 08:40PM
Painting and Sculpture in Europe: 1880-1940


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