Noel’s Reviews > The Captive / The Fugitive > Status Update
Noel
is 26% done
To write a passage so beautiful and then return to the same mind-numbing topics…
“At last he came to the Vermeer which he remembered as more striking, more different from anything else he knew, but in which, thanks to the critic’s article, he noticed for the first time some small figures in blue, that the sand was pink, and, finally, the precious substance of the tiny patch of yellow wall.”
[Cont’d]
— May 21, 2023 10:58PM
“At last he came to the Vermeer which he remembered as more striking, more different from anything else he knew, but in which, thanks to the critic’s article, he noticed for the first time some small figures in blue, that the sand was pink, and, finally, the precious substance of the tiny patch of yellow wall.”
[Cont’d]
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Noel’s Previous Updates
Noel
is 49% done
Since starting this book I have moved countries, I’ve gone through university, I’ve been heartbroken, I’ve broken hearts…
— 9 hours, 51 min ago
Noel
is 37% done
“But in that case is it not true that those elements—all the residuum of reality which we are obliged to keep to ourselves, which cannot be transmitted in talk, even from friend to friend, from master to disciple, from lover to mistress, that ineffable something which differentiates qualitatively what each of us has felt and what he is obliged to leave behind at the threshold of the phrases…”
[Cont’d]
— May 29, 2023 10:30PM
[Cont’d]
Noel
is 10% done
Oh, can’t you see
You belong to me?
How my poor heart aches
With every step you take?
Every move you make
And every vow you break
Every smile you fake
Every claim you stake
I’ll be watching you
Every move you make
Every step you take
I’ll be watching you
— Jan 03, 2023 03:35PM
You belong to me?
How my poor heart aches
With every step you take?
Every move you make
And every vow you break
Every smile you fake
Every claim you stake
I’ll be watching you
Every move you make
Every step you take
I’ll be watching you
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Am I delusional for thinking I could finish this in two weeks? There are 500 pages left in my edition. I have a feeling that Time Regained will be very cozy…
...I think part of proust is reading him slowly, reading him in time, reading him in punctuation, even reading him in boredom, allowing the experience of his prose to flicker like the butterflies, the flowers, in paintings of gardens, then, when sufficiently drawn in, entranced, absorbed, he turns, wilfully, cruelly perhaps, to the next tableau, the subsequent meditation, to lead readers to revisit where they have been from another perspective as in our mutable sense of lost time, from moment to moment, inexorably, as all these great painters he mentions, all these works, express valiant futility of capturing or recovering in search of lost time. what I suggest is not that you can read it rapidly, I imagine it can be done, but that to do so might be entirely contrary to the embedded metaphysics of the work. in other words, I suggest you read him deliberately slowly...
Thanks, Michael :) Oh, I’ve been reading him slowly. I’ve been reading him too slowly! I think I was a teenager when I first started reading this novel. Tons of major events in my life have been inflected with his ideas. I do worry about the consequences, though… That it’s like, say, watching a film like A Brighter Summer Day, a minute a day, for a year. Of course, books are very different from films in how you experience them. But I worry whether, when I finish it, I’ll have actually read it—especially since I’ve already forgotten most of it…
Are there 100000000$ if you finish? Cause I think I have zero interest to continue after the first volume, but I mean if there's so much money maybe I should reconsider. But I am gonna read one word a week!



“He repeated to himself: ‘Little patch of yellow wall, with a sloping roof, little patch of yellow wall.’ Meanwhile he sank down on to a circular settee; whereupon he suddenly ceased to think that his life was in jeopardy and, reverting to his natural optimism, told himself: ‘It’s nothing, merely a touch of indigestion from those potatoes, which were under-cooked.’ A fresh attack struck him down; he rolled from the settee to the floor, as visitors and attendants came hurrying to his assistance. He was dead. Dead for ever? Who can say? Certainly, experiments in spiritualism offer us no more proof than the dogmas of religion that the soul survives death. All that we can say is that everything is arranged in this life as though we entered it carrying a burden of obligations contracted in a former life; there is no reason inherent in the conditions of life on this earth that can make us consider ourselves obliged to do good, to be kind and thoughtful, even to be polite, nor for an atheist artist to consider himself obliged to begin over again a score of times a piece of work the admiration aroused by which will matter little to his worm-eaten body, like the patch of yellow wall painted with so much skill and refinement by an artist destined to be for ever unknown and barely identified under the name Vermeer. All these obligations, which have no sanction in our present life, seem to belong to a different world, a world based on kindness, scrupulousness, self-sacrifice, a world entirely different from this one and which we leave in order to be born on this earth, before perhaps returning there to live once again beneath the sway of those unknown laws which we obeyed because we bore their precepts in our hearts, not knowing whose hand had traced them there—those laws to which every profound work of the intellect brings us nearer and which are invisible only—if then!—to fools. So that the idea that Bergotte was not dead for ever is by no means improbable.”