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Edoardo Albert
Goodreads Author
Born
in London, The United Kingdom
Website
Twitter
Genre
Influences
Member Since
November 2012
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Edwin: High King of Britain (The Northumbrian Thrones #1)
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published
2014
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6 editions
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Silent Hunters (Warhammer 40,000)
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published
2021
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6 editions
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Kasrkin (Warhammer 40,000)
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published
2022
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3 editions
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Oswald: Return of the King (The Northumbrian Thrones, #2)
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published
2015
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5 editions
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Oswiu: King of Kings (The Northumbrian Thrones #3)
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Conrad Monk and the Great Heathen Army
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Warrior: A Life of War in Anglo-Saxon Britain
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Imam al-Ghazali: A Concise Life
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published
2013
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2 editions
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Lords of the Storm (Black Library Novella Series 2 #5)
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published
2019
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3 editions
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Born of the Storm (Warhammer 40,000)
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published
2019
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2 editions
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Edoardo’s Recent Updates
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Edoardo Albert
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| There are books of popular history. There are academic histories. And then there are books that straddle that divide. Venice and the Mongols attempts to do that and almost succeeds. Its success comes through the authors, despite being eminent profess ...more | |
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Edoardo Albert
rated a book it was amazing
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| There are some books that are defined by their titles. 1984. The Decline and Fall of the Roman Empire. Guns, Germs and Steel. However, there are others that are undone by their titles and Conquest is one of them. Any reader scanning the bookshelves w ...more | |
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Edoardo Albert
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| Will Sergeant is a few years older than me and he played guitar in Echo and the Bunnymen, one of the bands that formed the sonic accompaniment as I sat in my teenage bedroom, drowning myself in teenage angst, ambitions and anxieties. At that age, mus ...more | |
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Edoardo Albert
made a comment on
Sebastien Castell’s review
of
The Summer Tree (The Fionavar Tapestry, #1)
"
Great review! Thank you for writing it.
"
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Edoardo Albert
and
29 other people
liked
Sebastien Castell's review
of
The Summer Tree (The Fionavar Tapestry, #1):
"I wonder if everyone has their favourite era of fantasy, and whether that era corresponds to when they first truly became enthralled with the genre. For me, it was mid-1980's. It's not that fantasy was better in those days; in fact, I'll bet any numb"
Read more of this review »
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Edoardo Albert
answered
Potatoes 's
question:
I certainly hope so! Unfortunately, the first book didn't sell particularly well, so I had to put my plans for a sequel aside for a while. But I do have the outline for a sequel in mind and I hope to write it during the coming year - so watch this sp
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Edoardo Albert
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“God’s grace lies upon him. And he gives of it freely and without thought.”
― Oswald: Return of the King
― Oswald: Return of the King
“You said you have grown used to watching the sun set? Come with me, and watch the sun rise!”
― Oswald: Return of the King
― Oswald: Return of the King
“It’s bad enough being ignored by the abbot, but to be ignored by a bird…”
― Oswald: Return of the King
― Oswald: Return of the King
Topics Mentioning This Author
| topics | posts | views | last activity | |
|---|---|---|---|---|
Historical Fictio...:
December Nominations: HF Freebie!
|
77 | 244 | Dec 27, 2016 04:47PM | |
| Ancient & Medieva...: Looking for novels for a class on the conversion of Europe | 21 | 47 | Apr 02, 2017 08:08PM | |
Reading with Style:
SU 19 Completed Tasks
|
1152 | 130 | Aug 31, 2019 09:02PM | |
| Aussie Readers: Covid Take 2 - 1/10/20-31/3/21 - We have Wanderlust! | 264 | 197 | Mar 27, 2021 08:22PM |
“Here are the sounds of Wear. It rattles stone on stone. It sucks its teeth. It sings. It hisses like the rain. It roars. It laughs. It claps its hands. Sometimes I think it prays. In winter, through the ice, I've seen it moving swift and black as Tune, without a sound.
Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all.
Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least.
First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it.
"Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death.
In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star.
Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.”
― Godric
Here are the sights of Wear. It falls in braids. It parts at rocks and tumbles round them white as down or flashes over them in silver quilts. It tosses fallen trees like bits of straw yet spins a single leaf as gentle as a maid. Sometimes it coils for rest in darkling pools and sometimes it leaps its banks and shatters in the air. In autumn, I've seen it breathe a mist so thick and grey you'd never know old Wear was there at all.
Each day, for years and years, I've gone and sat in it. Usually at dusk I clamber down and slowly sink myself to where it laps against my breast. Is it too much to say, in winter, that I die? Something of me dies at least.
First there's the fiery sting of cold that almost stops my breath, the aching torment in my limbs. I think I may go mad, my wits so outraged that they seek to flee my skull like rats a ship that's going down. I puff. I gasp. Then inch by inch a blessed numbness comes. I have no legs, no arms. My very heart grows still. These floating hands are not my hands. The ancient flesh I wear is rags for all I feel of it.
"Praise, Praise!" I croak. Praise God for all that's holy, cold, and dark. Praise him for all we lose, for all the river of the years bears off. Praise him for stillness in the wake of pain. Praise him for emptiness. And as you race to spill into the sea, praise him yourself, old Wear. Praise him for dying and the peace of death.
In the little church I built of wood for Mary, I hollowed out a place for him. Perkin brings him by the pail and pours him in. Now that I can hardly walk, I crawl to meet him there. He takes me in his chilly lap to wash me of my sins. Or I kneel down beside him till within his depths I see a star.
Sometimes this star is still. Sometimes she dances. She is Mary's star. Within that little pool of Wear she winks at me. I wink at her. The secret that we share I cannot tell in full. But this much I will tell. What's lost is nothing to what's found, and all the death that ever was, set next to life, would scarcely fill a cup.”
― Godric
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The focus of this group is historical fiction set in Ancient and Medieval eras(with some post Medieval), in any geographical location. Preference is g ...more
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