Rozsika Parker
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The Subversive Stitch: Embroidery and the Making of the Feminine
12 editions
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published
1984
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Old Mistresses: Women, Art and Ideology
by
18 editions
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published
1982
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Maestras antiguas: Mujeres, arte e ideología
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Framing Feminism: Art and the Women's Movement 1970-1985
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3 editions
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published
1987
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Mother Love/mother Hate: The Power Of Maternal Ambivalence
2 editions
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published
1996
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Torn in Two: The Experience of Maternal Ambivalence
2 editions
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published
1995
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The Subversive Stitch
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Old Mistresses: Women, Art and Ideology.
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Bloomsbury Revelations
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“Kate Walker´s attitude is characteristic of contemporary feminists' determination not to reject femininity but to empty the term of its negative connotations, to reclaim and refashion the category:
"I have never worried that embroidery's association with femininity, sweetness, passivity and obedience may subvert my work's feminist intention. Femininity and sweetness are part of women's strength. Passivity and obedience, moreover, are the very opposites of the qualities necessary to make a sustained effort in needlework. What's required are physical and mental skills, fine aesthetic judgement in colour, texture and composition; patient during long training: and assertive individuality of design (and consequence disobedience of aesthetic convention). Quiet strength need not be mistaken for useless vulnerability".”
― The Subversive Stitch: Embroidery and the Making of the Feminine
"I have never worried that embroidery's association with femininity, sweetness, passivity and obedience may subvert my work's feminist intention. Femininity and sweetness are part of women's strength. Passivity and obedience, moreover, are the very opposites of the qualities necessary to make a sustained effort in needlework. What's required are physical and mental skills, fine aesthetic judgement in colour, texture and composition; patient during long training: and assertive individuality of design (and consequence disobedience of aesthetic convention). Quiet strength need not be mistaken for useless vulnerability".”
― The Subversive Stitch: Embroidery and the Making of the Feminine
“I identified historical hierarchical division of the arts into fine arts and craft as a major force in the marginalisation of women's work.”
― The Subversive Stitch: Embroidery and the Making of the Feminine
― The Subversive Stitch: Embroidery and the Making of the Feminine
“Femininity and sweetness are part of women's strength...Quiet strength need not be mistaken for useless vulnerability.”
― The Subversive Stitch: Embroidery and the Making of the Feminine
― The Subversive Stitch: Embroidery and the Making of the Feminine
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