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Philipp Winkler

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Philipp Winkler

Goodreads Author


Born
in Neustadt am Rübenberge, Germany
Website

Member Since
December 2011


Philipp Winkler, 1986 geboren, aufgewachsen in Hagenburg bei Hannover. Studierte Literarisches Schreiben in Hildesheim. Für seinen Debütroman »Hool« erhielt er den ZDF aspekte-Literaturpreis für das beste deutschsprachige Debüt, stand auf der Shortlist des Deutschen Buchpreises und war zum Festival Neue Literatur in New York City eingeladen. Der Roman war ein Spiegel-Bestseller, wurde in mehrere Sprachen übersetzt und für die Bühne adaptiert. Eine Verfilmung ist in Vorbereitung. Er lebt in Niedersachsen auf dem Land.

Philipp Winkler, born in 1986, grew up in Hagenburg near Hannover, Germany. He studied Literary Writing in Hildesheim. For his debut novel »Hool« Winkler was awarded the ZDF aspekte-Literature Prize for the best German-language
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Average rating: 3.63 · 1,565 ratings · 177 reviews · 10 distinct worksSimilar authors
Hool

3.66 avg rating — 739 ratings — published 2016 — 2 editions
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Amrum

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3.82 avg rating — 512 ratings4 editions
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Creep

3.38 avg rating — 146 ratings — published 2022 — 6 editions
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Carnival

3.12 avg rating — 81 ratings — published 2020 — 2 editions
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Das Spiel meines Lebens

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4.09 avg rating — 11 ratings4 editions
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Poolparty

2.71 avg rating — 14 ratings
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Amrum

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Creep (AdN) (AdN Alianza de...

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Silent Acquisitions in Der ...

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Amrum (La Grande Ourse)

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Philipp’s Recent Updates

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The Former King by Adam Corby
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Natives of Space by Hal Clement
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Cycle of Fire by Hal Clement
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The Web of Wizardry by Juanita Coulson
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The Hollows by Daniel  Church
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Never Tell a Black Girl How to Black Girl by Amena Brown
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The Death of Grass by John Christopher
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Dorsai! by Gordon R. Dickson
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Meru by S.B. Divya
Meru (The Alloy Era, #1)
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It Pierces by Jack Finn
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Topics Mentioning This Author

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Crazy Challenge C...: 2024-2025 Dare to DNF! 590 99 Aug 21, 2025 05:03PM  
George Saunders
“To put it another way: having gone about as high up Hemingway Mountain as I could go, having realized that even at my best I could only ever hope to be an acolyte up there, resolving never again to commit the sin of being imitative, I stumbled back down into the valley and came upon a little shit-hill labeled “Saunders Mountain.”

“Hmm,” I thought. “It’s so little. And it’s a shit-hill.”

Then again, that was my name on it.

This is a big moment for any artist (this moment of combined triumph and disappointment), when we have to decide whether to accept a work of art that we have to admit we weren’t in control of as we made it and of which we’re not entirely sure we approve. It is less, less than we wanted it to be, and yet it’s more, too—it’s small and a bit pathetic, judged against the work of the great masters, but there it is, all ours.

What we have to do at that point, I think, is go over, sheepishly but boldly, and stand on our shit-hill, and hope it will grow.”
George Saunders, A Swim in a Pond in the Rain

George Saunders
“No worthy problem is ever solved in the plane of its original conception.”
George Saunders, A Swim in a Pond in the Rain

George Saunders
“We’re always rationally explaining and articulating things. But we’re at our most intelligent in the moment just before we start to explain or articulate. Great art occurs—or doesn’t—in that instant. What we turn to art for is precisely this moment, when we “know” something (we feel it) but can’t articulate it because it’s too complex and multiple. But the “knowing” at such moments, though happening without language, is real. I’d say this is what art is for: to remind us that this other sort of knowing is not only real, it’s superior to our usual (conceptual, reductive) way.”
George Saunders, A Swim in a Pond in the Rain

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