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María Gainza

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María Gainza


Born
in Buenos Aires, Argentina
December 25, 1975

Genre


María Gainza nació en Buenos Aires. Trabajó en la corresponsalía de The New York Times en Buenos Aires y fue corresponsal de ArtNews. Durante más de diez años fue colaboradora regular de la revista Artforum y del suplemento Radar del diario Pági­na/12. Ha dictado cursos para artistas y talleres de crítica de arte, y fue coeditora de la colección sobre arte argentino «Los Sentidos», de Adriana Hidalgo Editora. En 2011 publicó Textos elegidos, una selec­ción de sus notas y ensayos sobre arte argentino. El nervio óptico, su primera incursión en la narrativa, ha sido traducida a diez idiomas y fue recibida con entusiasmo por la crítica: «Flamante primera no­vela» (Ana Wajszczuk, Página/12); «Se cuenta entre lo más trascendental (amén de íntimo ...more

Average rating: 3.73 · 10,802 ratings · 1,630 reviews · 12 distinct worksSimilar authors
El nervio óptico

3.92 avg rating — 7,542 ratings — published 2014 — 8 editions
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Portrait of an Unknown Lady

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3.20 avg rating — 2,534 ratings — published 2018 — 27 editions
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Un puñado de flechas

3.53 avg rating — 649 ratings5 editions
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Un imperio por otro

3.77 avg rating — 48 ratings — published 2021 — 2 editions
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Una vida crítica

4.05 avg rating — 22 ratings2 editions
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Textos elegidos, 2003-2010

4.14 avg rating — 7 ratings
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Casas señoriales y palacios...

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The optic nerve

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UN DÍA ESPECIAL EN LA GRANJ...

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Guillermo Kuitca: Dénouement

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More books by María Gainza…
Quotes by María Gainza  (?)
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“Isn’t all artwork—or all decent art—a mirror? Might a great painting not even reformulate the question what is it about to what am I about? Isn’t theory also in some sense always autobiography?”
María Gainza, El nervio óptico

“I never used to resort to quotations very much but in these past months I have read like a convict—yes, a convict, that’s the word. I have also realized that being good with quotations means avoiding having to think for oneself.”
María Gainza, El nervio óptico

“Memory edits things, colours them, mixes cement with the rainbow, does whatever's needed to make the story work.”
María Gainza, Portrait of an Unknown Lady
tags: memory

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