Hûw Steer

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Hûw Steer

Goodreads Author


Born
The United Kingdom
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Member Since
September 2013


I’m an author and historian from London. I have an MA in Ancient History, specialising in the study of ancient science-fiction (yes, there is some!). I’ve been writing for some years now, have published several short stories and five novels, and am currently having several more rejected by agents and publishers.

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Hûw Steer Oho, my boy. I can give you *the* example.

Lucian of Samosata was a satirist in the Second Sophistic. He mocked philosophy, he mocked language, he mock…more
Oho, my boy. I can give you *the* example.

Lucian of Samosata was a satirist in the Second Sophistic. He mocked philosophy, he mocked language, he mocked government and politics - but once he mocked historians. He was fed up with the way that certain historians (not that he would ever name Herodotus or Ctesias) invented details about foreign lands they’d never visited wholesale and reaped the credit for being men of learning. They were lying, and getting paid for it.

So Lucian wrote a travel narrative of his own. He called it the ‘True History’. It wasn’t, and he made sure his readers knew it from the start. He takes us out into the unknown ocean, to islands of insidious plants that turn their victims into trees, to the Isles of the Blessed where the heroes dwell, to a city of living lamps in the sky, to a whale that houses whole civilisations in its belly.

Also the Moon. And the Sun. There are giant space spiders too.

But it’s just not a list of marvels. Lucian makes us think. He mirrors his own society in a hundred subtle ways. There are parallels to Roman aggression, to Greek attitudes to gender, and more. Every island Lucian visits is another critical mirror on his society and the world of the Second Sophistic. That’s what good sci-fi should always do - make you *think*.

The ‘True History’ isn’t just a travel narrative. It’s not even just sci-fi. It’s basically second-century Star Trek.

(...and I may have spent far too much of my time at university writing two theses on the subject...)

There’s an English translation on Project Gutenberg IIRC. I prefer the Loeb edition (I think it’s the Harmon translation?), it flows a little better, but whatever you can get hold of!(less)
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Literal Escapism

When one frequently writes, as I do, about people breaking into or out of places and/or objects, it pays to do a little practical research.

Rewatching the Indiana Jones and Mummy movies on repeat is not, alas, sufficient (but still recommended), and despite having meant to do so for years at this point I still haven’t invested in a set of lockpicks and one of those transparent practice locks. (I do

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Published on November 30, 2025 04:44
The Blackbird and the Ghost Nightingale's Sword The Owl in the Labyrinth
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Literal Escapism

When one frequently writes, as I do, about people breaking into or out of places and/or objects, it pays to do a little practical research.Rewatching Read more of this blog post »
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The Rose Field by Philip Pullman
"Overall (for both this book and the entire Book of Dust Trilogy): some fun beats and good ideas, carried by Pullman's lovely prose, but there are too many loose threads at the end and an incomplete realization of the philosophical core. Perhaps simpl" Read more of this review »
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The Rook by Daniel O'Malley
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The Owl in the Labyrinth by Hûw Steer
"I've been following Tal Wenlock (the Blackbird) since the beginning, and have been eagerly awaiting the conclusion to the Boiling Seas trilogy. When all is said and done, this was a brilliantly-executed concept of fantasy archaeology.

Whereas the firs" Read more of this review »
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Icarus Effect
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Analog Science Fiction & Fact, July/August 2024 by Trevor Quachri
"Lots of fun SF here, bit of a 50s SF vibe. Standout stories were Mandarins: A New World by Michael F. Flynn (Asian seafarers discover a backwoods Europe), Great Martian Railways by Hûw Steer (steampunk British Rail on Mars!), and Prompt Injection by " Read more of this review »
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Utopia Science Fiction Magazine, Vol. V #2 by Raima Larter
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