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Sarah Langan

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Sarah Langan

Goodreads Author


Born
in Mineola, The United States
Website

Genre

Influences

Member Since
October 2015


Sarah grew up on Long Island, got her MFA in creative writing from Columbia University, her MS in environmental toxicology from NYU, and currently lives in Los Angeles with her family, two rabbits, and three chickens.

Her next novel TRAD WIFE is due out from S&S and Tor UK in Summer, 2026.

Her most recent works include A BETTER WORLD, GOOD NEIGHBORS, PAM KOWOLSKI IS A MONSTER, YOU HAVE THE PRETTIEST MASK, "Does Harlen Lattner Dream of Electric Sheep?," "Squid Teeth," "The Devil's Children," and "I Miss You Too Much."


*I acknowledge that I have massacred the punctuation surrounding the above quotations marks. I will now resume talking about myself in the third person.*

Her books have received favorite of the year distinctions from NPR, Newsweek
...more

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Popular Answered Questions

Sarah Langan I’ve just finished a new novel called THE CLINIC and I’m really excited about it. It’s very much in the same vein as my previous books, but I’ve grown…moreI’ve just finished a new novel called THE CLINIC and I’m really excited about it. It’s very much in the same vein as my previous books, but I’ve grown a lot and I think gotten more sophisticated as a storyteller.

I started the book about three years ago, having no idea why I’d abandoned two other novels to work on it. I only knew that something felt uneasy in my life as a new mother for the second time, and in my marriage, too. I’d become obsessed with Mad Men, and in retrospect, for good reason. The show isn’t about the 60s; it’s about now. Just as our own parents grew up getting more rod than carrot, we grew up in a world where dads (and I’m talking about the subset, here, of middle and upper middle class families that stayed together) were the boss and moms did the laundry. In theory the laundry, caring for extended families, cooking, and helping with homework were just as important as taking the train into on office, but in reality, no way. I grew up thinking what my mom did was stupid. Frankly, I grew up thinking women were less important. I was less important.

And then our generation of women was supposed to grow up and be equal with our partners, which is easy when you don’t have kids, and pretty impossible once you do. Who does those stupid jobs, like running the house and the schedule? And hey, wait, they’re not actually stupid jobs, are they? They’re pretty vital, it turns out. They’re just not valued financially, though, in fact, they do have a real financial value. They’re also very lonely jobs.

I don’t think I’m alone in my utter bewilderment, trying to figure out my place in all that. I think it’s generational. We’re the talking generation. Which is what makes me think we’ll do a good job at resolving it.

All that aside, the story’s about a struggling family whose son is sick. He’s got cancer. But it turns out, what he has isn’t really cancer. And the hospital that’s treating him isn’t really out to help him. The corporation that owns the hospital is killing senators and presidents to acquire global water rights. They’re treating the water with anti-malarial chemicals. Except, the chemicals don’t just kill malaria.

It’s the first book in what I hope will be a three book series called INVISIBLE MONSTERS.
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Sarah Langan Dear David,

Thanks for writing!

I wrote The Keeper when I was still in my twenties. In fact, I started it when I was 21 and finished it at 29. I bring t…more
Dear David,

Thanks for writing!

I wrote The Keeper when I was still in my twenties. In fact, I started it when I was 21 and finished it at 29. I bring this up because those are intense years. It reminds me of this quote from Lawrence of Arabia:

“Young men make wars, and the virtues of war are the virtues of young men. Courage and hope for the future. Then old men make the peace. And the vices of peace are the vices of old men. Mistrust and caution. It must be so.”

I was basically a hot head, waging war against an inherently unfair world. The town of Bedford loosely resembles Waterville, where I went to college, and also Old Town, just outside Bangor. Both are in Maine. Paper mills are the focal points of a town because of their giant smoke stacks. Even when they’re closed down, you can’t take your eye off them.

My characters were invented. One of my grad school teachers could never remember that Susan wasn’t based on someone real. She called me “Susan” instead of Sarah. Another teacher was sure I’d had an affair with a professor in high school. Nope. But I let him believe I had because he was so pleased that he’d had the insight.

On the other hand, my characters in many ways are very true, but they’re not based on other people. Like most writers, they’re aspects of me. Susan is an embodiment of all the rage I had back in those days, for reasons both phantom and tangible. Poor Liz was my low self-esteem. Paul was the narcissist every writer needs to be. Georgia had a head on her shoulders, mostly.

I think, ultimately, Keeper is as bleak as it is because I was so young. An older, wiser person might see the light at the end of the tunnel. An older, bitter person wouldn’t be able to tell the story at all. I could never write that story again, but I’m so glad that I did. It speaks to people. Maybe it calls to that hot-head kid we all used to be, and still are. It’s the hot-heads who act. Everybody else stays on schedule.

The Missing had a different impetus. I was having fun. How cool to start a vampire-zombie origin story. I loved writing that—it was hard, of course, but most of it just flowed. Fenstad and Meg were such a fun couple, and their daughter Maddie was so funny. I fact, I found the whole thing funny. It was a comment on current events, particularly the war in Iraq, but it was also pretty gleeful. Or at least, I thought it was gleeful. Then again, Kafka thought Metamorphosis was so funny he couldn’t read it without bursting in laughter. So, to each his own!
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Average rating: 3.66 · 50,132 ratings · 6,944 reviews · 54 distinct worksSimilar authors
Good Neighbors

3.53 avg rating — 23,781 ratings — published 2021 — 16 editions
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A Better World

3.60 avg rating — 3,021 ratings — published 2024 — 12 editions
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The Keeper (Keeper, #1)

3.32 avg rating — 2,396 ratings — published 2006 — 23 editions
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The Missing (Keeper, #2)

3.60 avg rating — 1,806 ratings — published 2007 — 22 editions
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Audrey's Door

3.38 avg rating — 1,588 ratings — published 2009 — 15 editions
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Pam Kowolski Is a Monster!

4.16 avg rating — 212 ratings — published 2025 — 6 editions
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The Changeling

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3.57 avg rating — 90 ratings2 editions
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Squid Teeth: A Tor Original

3.85 avg rating — 52 ratings
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The Lost

4.06 avg rating — 32 ratings — published 2008 — 2 editions
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The Ninth Witch

really liked it 4.00 avg rating — 3 ratings
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More books by Sarah Langan…

Behind the Door #12

Hope this finds you well. Hope you’re enjoying the fall.

The ambient noise is at a frenzy lately. Consider this your friendly reminder that there’s always the option to turn it off.

Stuff I like lately:

Tony Tulathimutte’s story collection REJECTION. Reddit is calling it the first incel novel, which sounds about right. It’s insightful and clever and upped my zoomer vocabulary.

FLESH, by David Szalay

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Published on October 06, 2025 11:07
The Keeper The Missing
(2 books)
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3.44 avg rating — 4,202 ratings

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A fresh and necessary voice in the genre. Tight prose, great ambitions. Genuine art.
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Clever and fast-paced, it's not just an homage to 80s horror, it's an intelligent and very necessary update. ...more
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Pam Kowolski Is a Monster! by Sarah Langan
"This review is for an ARC copy received from the publisher through NetGalley.
Over 20 years ago, Pam Kowolski did something to embarrass Janet Chow in high school, a dark incident that eventually derailed the future Janet had envisioned for herself. N" Read more of this review »
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Quotes by Sarah Langan  (?)
Quotes are added by the Goodreads community and are not verified by Goodreads. (Learn more)

“Modern culture is an inverse panopticon. Not a drunk father, but a vigilant mother. The masses elect a single person to the hot seat for their five minutes of fame. We, the periphery, are the judges and jury. Because we’re separated (like prisoners, we can’t connect to each other through these impossible walls), we’ve no option but to connect via the sacrificial lamb we’ve placed dead center. Even when we privately dispute the censure or praise we heap upon them, publicly, we echo popular sentiment. To avoid loneliness, we become a single, unthinking mass. And yet, the mother and father both reveal their very limited ability to connect. The proverbial child cannot attach. We participate in this mass identity, but it does not serve us. Our language is reduced to a series of agreed-upon signs reflecting not nuance, but binaries: like/dislike; good/bad; yes/no. We are even more lonely for the failure of it…”
Sarah Langan, Good Neighbors

“The sight of her made him understand why he'd lost his faith in God.”
Sarah Langan, The Keeper

“The song finished playing, and Arlo remembered why it had resonated with so many people. It’s nostalgic for something that isn’t real, and it’s sad about that. Everybody’s nostalgic for glory days that never happened.”
Sarah Langan, Good Neighbors

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