Michael Bertrand
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Genre
Influences
Elmore Leonard. John Brunner. Katsuhiro Otomo.
Member Since
April 2018
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If you found The Eternaut through the Netflix series like I did, then you might be a little confused. Why? 1. The Eternaut is a big deal. Initially published as a strip between 1957 and 1959, it had the equivalent cultural impact as Superman or Batman ...more |
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| Lost in the Dark is a collection of short stories. I usually avoid collections because I prefer a long sustained novel narrative over the start and stop required by short stories. But Lost in the Dark had one that sounded like a riff on The Blair Wit ...more | |
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“Sometimes I want a book to break loose with a bunch of hooptedoodle. The guy’s writing it, give him a chance to do a little hooptedoodle. Spin up some pretty words maybe, or sing a little song with the language. That’s nice. But I wish it was set aside so I don’t have to read it. I don’t want hooptedoodle to get mixed up in the story. So if the guy that’s writing it wants hooptedoodle, he ought to put it right at first. Then I can skip it if I want to, or maybe go back to it after I know how the story came out.”
― Sweet Thursday
― Sweet Thursday
“The only thing that makes reality is death; then they hang it on a cross, kneel down and pray to it.”
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“Elmore Leonard's Ten Rules of Writing
1. Never open a book with weather.
2. Avoid prologues.
3. Never use a verb other than "said" to carry dialogue.
4. Never use an adverb to modify the verb "said”…he admonished gravely.
5. Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.
6. Never use the words "suddenly" or "all hell broke loose."
7. Use regional dialect, patois, sparingly.
8. Avoid detailed descriptions of characters.
9. Don't go into great detail describing places and things.
10. Try to leave out the part that readers tend to skip.
My most important rule is one that sums up the 10.
If it sounds like writing, I rewrite it.”
―
1. Never open a book with weather.
2. Avoid prologues.
3. Never use a verb other than "said" to carry dialogue.
4. Never use an adverb to modify the verb "said”…he admonished gravely.
5. Keep your exclamation points under control. You are allowed no more than two or three per 100,000 words of prose.
6. Never use the words "suddenly" or "all hell broke loose."
7. Use regional dialect, patois, sparingly.
8. Avoid detailed descriptions of characters.
9. Don't go into great detail describing places and things.
10. Try to leave out the part that readers tend to skip.
My most important rule is one that sums up the 10.
If it sounds like writing, I rewrite it.”
―
“We know a lot nowadays about how to extrapolate from rats to people, but we don't only have to rely on that. In a sense we've made ourselves into experimental animals. There are too many of us, too crowded, in an environment we've poisoned with our own-uh-byproducts. Now when this happens to a wild species, or to rats in a lab, the next generation turns out weaker and slower and more timid. This is a defense mechanism.”
― The Sheep Look Up
― The Sheep Look Up
“Man is incapable of seeing past the end of his nose. He huddles upon the ground staring at his own feet. It is only when he considers his own mortality that he clings to whatever God or Buddha offers him hope.”
― Akira, Vol. 4
― Akira, Vol. 4
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